Summary

Portrait of T. S. Eliot T. S. Eliot The Sacred Wood — Euripides and Professor Murray (1920)

But few persons realize that the Greek language and the Latin language, and, therefore, we say, the English language, are within our lifetime passing through a critical period. The Classics have, during the latter part of the nineteenth century and up to the present moment, lost their place as a pillar of the social and political system—such as the Established Church still is. If they are to survive, to justify themselves as literature, as an element in the European mind, as the foundation for the literature we hope to create, they are very badly in need of persons capable of expounding them.
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Portrait of T. S. Eliot T. S. Eliot The Sacred Wood — Euripides and Professor Murray (1920)

Greek poetry will never have the slightest vitalizing effect upon English poetry if it can only appear masquerading as a vulgar debasement of the eminently personal idiom of Swinburne. These are strong words to use against the most popular Hellenist of his time; but we must witness of Professor Murray ere we die that these things are not otherwise but thus.
This is really a point of capital importance. That the most conspicuous Greek propagandist of the day should almost habitually use two words where the Greek language requires one, and where the English language will provide him with one
Source: Wikisource

Portrait of T. S. Eliot T. S. Eliot The Sacred Wood — Euripides and Professor Murray (1920)

It is to be hoped that we may be grateful to Professor Murray and his friends for what they have done, while we endeavour to neutralize Professor Murray's influence upon Greek literature and English language in his translations by making better translations. The choruses from Euripides by H. D. are, allowing for errors and even occasional omissions of difficult passages, much nearer to both Greek and English than Mr. Murray's. But H. D. and the other poets of the "Poets' Translation Series" have so far done no more than pick up some of the more romantic crumbs of Greek literature
Source: Wikisource

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