Summary

The Best British Short Stories of 1922

If there were indeed any sort of facial resemblance between herself and her aunt, no one would ever see it except in Miss Deane, and she was obsessed with a senile vanity. Yet was it, after all, Rachel began to wonder, an unnatural obsession? Might she not in time suffer from it herself? The change would be so slow, so infinitely gradual; and always one would be cherishing the old, loved image of youth and beauty, falling in love with it, like a deluded Hyacinth, and coming to be deceived by the fantasy of an unchanging appearance of youth.
Source: Gutenberg

The Best British Short Stories of 1922

I stood and looked out on the long-neglected garden. I could just see the bright greenness of Seaton's old tadpole pond. I wandered about the room. Dusk began to gather, the last birds in that dense shadowiness of trees had ceased to sing. And not a sound was to be heard in the house. I waited on and on, vainly speculating. I even attempted to ring the bell; but the wire was broken, and only jangled loosely at my efforts.
I hesitated, unwilling to call or to venture out, and yet more unwilling to linger on, waiting for a tea that promised to be an exceedingly comfortless supper.
Source: Gutenberg

The Best British Short Stories of 1922

The dock rat was tip-toeing about the bed, like a starved rodent outside a wire-screened piece of food. His glance shifted from that gleaming shoulder hunched up over the slim neck to the heavy face of the Boss and then to the old woman, returning quickly to the form on the bed.
"Oo's goin' t'do it?" asked the old crone of the Boss. "You or Bill?" and she drew down the clothes, exposing the limp sprawled limbs of the sleeping girl. The Boss did not reply. He simply took a half-stride back, away from the bed. The dock rat's eyes gleamed: he had noted the movement.
Source: Gutenberg

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