Summary

Portrait of H. G. Wells H. G. Wells Ann Veronica: A Modern Love Story

Why should WE hoard? We aren’t going out presently, like Japanese lanterns in a gale. It’s the poor dears who do, who know they will, know they can’t keep it up, who need to clutch at way-side flowers. And put ‘em in little books for remembrance. Flattened flowers aren’t for the likes of us. Moments, indeed! We like each other fresh and fresh. It isn’t illusions—for us. We two just love each other—the real, identical other—all the time.”
“The real, identical other,” said Capes, and took and bit the tip of her little finger.
“There’s no delusions, so far as I know,” said Ann Veronica.
Source: Gutenberg

Portrait of H. G. Wells H. G. Wells Ann Veronica: A Modern Love Story

Manning, “I know. Don’t think I can’t sympathize and understand. Still, here we are in this dingy, foggy city. Ye gods! what a wilderness it is! Every one trying to get the better of every one, every one regardless of every one—it’s one of those days when every one bumps against you—every one pouring coal smoke into the air and making confusion worse confounded, motor omnibuses clattering and smelling, a horse down in the Tottenham Court Road, an old woman at the corner coughing dreadfully—all the painful sights of a great city, and here you come into it to take your chances.
Source: Gutenberg

Portrait of H. G. Wells H. G. Wells Ann Veronica: A Modern Love Story

Ann Veronica felt no repulsion at the prospect. That Mr. Manning loved her presented itself to her bloodlessly, stilled from any imaginative quiver or thrill of passion or disgust. The relationship seemed to have almost as much to do with blood and body as a mortgage. It was something that would create a mutual claim, a relationship. It was in another world from that in which men will die for a kiss, and touching hands lights fires that burn up lives—the world of romance, the world of passionately beautiful things.
Source: Gutenberg

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