Summary

The Empty Sack

“ Emma Lyon had been an artist's model. In an artist's studio she had made the acquaintance of men of lofty station, just as she herself had met Bob. She had loved and been loved. Romney was perhaps her Hubert Wray. Her career had been exciting and dramatic—the friend of a queen, the more-than-wife of one of the great men of the age. The tragic, miserable death didn't frighten Jennie, since misery and tragedy always stalked on the edge of her experience. She fell asleep amid vast, vague concepts of queens and heroes beset with loves and problems not unlike Jennie Follett's. ”
Source: Gutenberg

The Empty Sack

“ Bob, Hubert, Collingham Lodge, her ambition, and her love became unreal and remote as she watched the setting of the sun to which her being had been turned. In the eyes of others, Josiah might be feeble and a failure, but to Teddy and his sisters he was their father, the pivot of their lives, the nearest thing to a supreme being they had known.
Lizzie's grief was different. Her heart didn't ache because he was dying. Life having become what it was, he was better dead. If she could have died herself, she would have gone to her rest gladly, had it not been for the children.
”
Source: Gutenberg

The Empty Sack

“ Her grief was not for Josiah; it was for the futility of the best things human beings could bring to life. Honesty, industry, thrift, devotion, ambition, and romance had been the qualifications with which Josiah Follett and Lizzie Scarborough had faced the world; and this was the best the world could do with them. "It isn't as if we ever faltered or refused or turned aside," she mused to herself, as she hurried from one task to another. "We've been absolutely faithful. We've had pluck in the face of every discouragement and eaten ashes as if it were bread, and, in the end, we come to this. ”
Source: Gutenberg

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