Summary

The humour of Spain (1909)

And yet Spanish literature is illumined throughout with bright flashes of humour, like the silver lining to the dark cloud of the history of the people—a humour which shows itself in almost every phase of the national literature, from the twelfth to the nineteenth century: from incidents in the “Poema del Cid” which tickled the rough sense of humour of the warriors of the Middle Ages, to the delicate and subtle irony of Valera in “Pepita Jimenez”—quaint and naïve in the ballads and collections of tales, sprightly in the drama, boisterous in the “Novela Picaresca,” inimitable in “Don Quixote.”
Source: Gutenberg

The humour of Spain (1909)

O brave and beyond all commendation courageous Don Quixote of La Mancha! mirror wherein all the valiant may behold themselves, a second and new Don Manuel de Leon, who was the honour and glory of Spanish Knights! In what words shall I recount this dread exploit, or by what argument make it creditable to future ages? What praises can there be unfitting and unmeet for thee, be they ever such hyperboles upon hyperboles? Thou on foot, thou alone, thou fearless, thou great-hearted, with thy simple sword, and that not one of your trenchant dog blades
Source: Gutenberg

The humour of Spain (1909)

He filled himself with the imagination of all that he read in the books: with enchantments, with quarrels, battles, challenges, wounds, amorous plaints, loves, torments, and follies impossible. And so assured was he of the truth of all that mass of fantastic inventions of which he read, that for him there was no other history in the world so certain. He would say that the Cid Ruy Diaz must have been a good knight, but not to be named with the Knight of the Flaming Sword, who only with one back-stroke had severed two fierce and monstrous giants through the middle.
Source: Gutenberg

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