Summary

The partnership of paint (1920)

We paint it a soft old ivory white with fresh green shutters, and it seems to expand with joy and happiness, and smiles back at us a radiant smile of thanks; and as we regard it with warm affection, we suddenly realize anew how much we love it and owe to it, and a feeling of most tender warmth fills us, and fills our day, and Life takes on a fresh beginning. We return at night with a new glow of well-being in our hearts.
Source: Gutenberg

The partnership of paint (1920)

In March she brings the trailing arbutus into blossom with its delicate pink flowers nestling in a bed of green. April comes with her lap filled with wild honeysuckle, with its red spurs that seem to be a reception committee to balmy days and renewed life. So it goes as the season advances. Nature is never violent in her selections of color. From the departure of snow to the turning of the leaves in Autumn, she teaches us the use of color, and never once going wrong.
Source: Gutenberg

The partnership of paint (1920)

Paint is historical, and teaches us much. Take the characteristic painting of the Norse countries. The furniture used in the peasants’ houses is painted in flat, hard, brilliant colors, expressive of the climate. It is a record of what people see and feel, and so translate into their lives and surroundings. The subtle, inscrutable, complicated civilization of the East is expressed in the Oriental painting of every description, meticulous as it is, detailed, and filled with most exquisite color of every possible nuance, the most delicate shades and tones.
Source: Gutenberg

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