Summary

Emily Burbank The Art of Interior Decoration

Antique or modern, every beautiful thing bought is a cherished heirloom in embryo. Remember, we may inherit a good antique or objet d'art, buy one, or bequeath one. Let us never be guilty of the reverse,—a bar-sinister piece of furniture! Sympathy with unborn posterity should make us careful.
It is always excusable to retain an ugly, inartistic thing—if it is useful; but an ornament must be beautiful in line or in colour, or it belies its name. Practise that genuine, obvious loyalty which hides away on a safe, but invisible shelf, the bad taste of our ancestors and friends.
Source: Gutenberg

Emily Burbank The Art of Interior Decoration

To-day Victorian cross-stitch and bead work in chairs, screens, footstools and bell-pulls, artificial flowers of wax and linen, and stuffed birds, as well as Bristol glass in blue, green and violet, are brought out from their hiding places and serve as touches of colour to give some of the notes of variety which good interior decoration demands.
To be fascinating, a person must not be too rigidly one type. There must be moments of relaxation, of light and shade in mood, or one is not charmed even by great beauty.
Source: Gutenberg

Emily Burbank The Art of Interior Decoration

The woman who takes her personal appearance seriously, just as any artist takes her art (and when dressing is not an art it is not worth discussion) can have her dressing-room so arranged with mirrors, black walls and strong, cleverly reflected, electric lights, that she stands out with a cleancut outline, like a cameo, the minutest detail of her toilet disclosed. With such a dressing-room, it is quite impossible to suffer at the hands of a careless maid, and one can use the black walls as a background for vivid chair covers, sofa cushions and lamp shades.
Source: Gutenberg

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