Thomas Bulfinch

Thomas Bulfinch

Summary

Portrait of Thomas Bulfinch Thomas Bulfinch The Age of Fable — Preface (1855)

For Mythology is the handmaid of literature; and literature is one of the best allies of virtue and promoters of happiness.
Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. When Byron calls Rome "the Niobe of nations," or says of Venice, "She looks a Sea-Cybele fresh from ocean," he calls up to the mind of one familiar with our subject, illustrations more vivid and striking than the pencil could furnish, but which are lost to the reader ignorant of mythology.
Source: Wikisource

Portrait of Thomas Bulfinch Thomas Bulfinch The Age of Fable — Preface (1855)

Our work is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement. We have endeavored to tell them correctly, according to the ancient authorities, so that when the reader finds them referred to he may not be at a loss to recognize the reference. Thus we hope to teach mythology not as a study, but as a relaxation from study; to give our work the charm of a story-book, yet by means of it to impart a knowledge of an important branch of education.
Source: Wikisource

Portrait of Thomas Bulfinch Thomas Bulfinch The Age of Fable — Preface (1855)

But how is mythology to be taught to one who does not learn it through the medium of the languages of Greece and Rome? To devote study to a species of learning which relates wholly to false marvels and obsolete faiths is not to be expected of the general reader in a practical age like this. The time even of the young is claimed by so many sciences of facts and things that little can be spared for set treatises on a science of mere fancy.
Source: Wikisource

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