Summary

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 4. JULY THE TWENTY-FIRST (1871)

The sea was so calm, that the soft hiss produced by the bursting of the innumerable bubbles of foam behind the paddles could be distinctly heard. The passengers who did not dance, including Cytherea and Springrove, lapsed into silence, leaning against the paddle-boxes, or standing aloof--noticing the trembling of the deck to the steps of the dance--watching the waves from the paddles as they slid thinly and easily under each other's edges.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 4. JULY THE TWENTY-FIRST (1871)

Owen had talked to the young architect of his sister as freely as to Cytherea of the young architect.
A conversation began, which was none the less interesting to the parties engaged because it consisted only of the most trivial and commonplace remarks. Then the band of harps and violins struck up a lively melody, and the deck was cleared for dancing; the sun dipping beneath the horizon during the proceeding, and the moon showing herself at their stern.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 4. JULY THE TWENTY-FIRST (1871)

Raising her eyes from her feet, which, standing on the firm deck, demanded her attention no longer, she acquired perceptions of the new-comer in the following order: unknown trousers; unknown waistcoat; unknown face. The man was not her brother, but a total stranger.
Off went the plank; the paddles started, stopped, backed, pattered in confusion, then revolved decisively, and the boat passed out into deep water.
One or two persons had said, 'How d'ye do, Mr. Springrove?' and looked at Cytherea, to see how she bore her disappointment.
Source: Wikisource

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