Summary

Portrait of Thomas Hardy Thomas Hardy The Well-Beloved: A Sketch of a Temperament

They climbed homeward slowly by the Old Road, Pierston dragging himself up the steep by the wayside hand-rail and pulling Avice after him upon his arm. At the top they turned and stood still. To the left of them the sky was streaked like a fan with the lighthouse rays, and under their front, at periods of a quarter of a minute, there arose a deep, hollow stroke like the single beat of a drum, the intervals being filled with a long-drawn rattling, as of bones between huge canine jaws. It came from the vast concave of Deadman’s Bay, rising and falling against the pebble dyke.
Source: Gutenberg

Portrait of Thomas Hardy Thomas Hardy The Well-Beloved: A Sketch of a Temperament

The divinity of the silver bow was not more excellently pure than she, the lost, had been. Under that moon was the island of Ancient Slingers, and on the island a house, framed from mullions to chimney-top like the isle itself, of stone. Inside the window, the moonlight irradiating her winding-sheet, lay Avice, reached only by the faint noises inherent in the isle; the tink-tink of the chisels in the quarries, the surging of the tides in the Bay, and the muffled grumbling of the currents in the never-pacified Race.
Source: Gutenberg

Portrait of Thomas Hardy Thomas Hardy The Well-Beloved: A Sketch of a Temperament

The evening and night winds here were, to Pierston’s mind, charged with a something that did not burden them elsewhere. They brought it up from that sinister Bay to the west, whose movement she and he were hearing now. It was a presence—an imaginary shape or essence from the human multitude lying below: those who had gone down in vessels of war, East Indiamen, barges, brigs, and ships of the Armada—select people, common, and debased, whose interests and hopes had been as wide asunder as the poles, but who had rolled each other to oneness on that restless sea-bed.
Source: Gutenberg

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