Summary

Various Punch, or the London Charivari…

ACT I. SCENE 2.—Leonora's confidant evidently alive to the responsibilities of her position. Watch her, for example, when her Mistress is about to confide to her ear the dawn of her passion for Manrico. She walks Leonora gently down to the footlights, launches her into her solo, like a boat, and stands aside on the left, a little behind, with an air of apprehension, lest she should come to grief over the next high note, and a hand in readiness to support her elbow in case she should suddenly collapse.
Source: Gutenberg

Various Punch, or the London Charivari…

Fancy Manrico has forgotten to give them the usual initial brooches, and they feel the wedding is a poky affair, and take no interest in it. Leonora herself is in low spirits—seems to miss the confidant, and to be oppressed with a misgiving that the wedding is not destined to come off. Misgivings on the stage are never thrown away—the wedding is interrupted immediately by a crowd of men, in small sugar-loaf caps, who carry the bridegroom off to fight—whereupon, of course, the Curtain falls.
Source: Gutenberg

Various Punch, or the London Charivari…

Don't go and see Manrico yourself—it can do no good, and will only harrow you! If you really must go, don't take a quick poison first—or you'll die in his dungeon, and spoil the whole thing!" Which is just what Leonora—like the impulsive operatic heroine she is—proceeds to do, and is cruelly misunderstood by Manrico, in consequence, besides hastening his doom by disappointing the Count, whose irritation was only natural, and pardonable, under the circumstances.
Source: Gutenberg

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