Summary

Various Punch, or the London Charivari…

He does not know that she is to have a child, and in his absence she keeps the knowledge from him. Her boy is born and dies. The news, reaching Holdsworth through a brother, brings him home, and husband and wife are reconciled. Such is the plot, told crudely enough.
Now, if Miss Sowerby meant deliberately to create a woman who does not really know what she wants—a creature of moods without assignable motives—then I am not ashamed of failing to understand her Sheila, since her Sheila did not understand herself.
Source: Gutenberg

Various Punch, or the London Charivari…

However, I am not going to set my opinion up against Miss Sowerby's. Where I can follow her I find so much clear insight and observation that I must needs have faith in her good judgment where I cannot understand. This arrangement still leaves me free to prefer her in her less serious moments. Here she is irresistible with that delicate humour of hers that is always in the picture and never has to resort to the device of manufactured epigram. There is true artistry in her lightest touch. Her people are not galvanised puppets; they simply draw their breath and there they are.
Source: Gutenberg

Various Punch, or the London Charivari…

Here, if she approves the attitude of her heroine, I am tempted to argue, in my dull way, with the charming author of Sheila. You must always remember that there was no love—not even courtship—before this betrothal. The girl was swept off her feet by the honour done to her and by the chance of seeing "life" as she had never hoped to see it. The man, on his side, wanted a son. Was his object so very contemptible in comparison with hers? Women marry by the myriad for the mere sake of having children, and nobody blames them.
Source: Gutenberg

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