Summary

Various Punch, or the London Charivari…

Be it ever so dirge-like, there's no cry like "Home!"
A charm undefined seems to hallow it there,
After Tanner's loud shindy and Conybeare's blare.
Home! Home! Sweet, sweet "Home!"
Be it ever so dirge-like, there's no cry like "Home!"
An exile from office, I will not complain,
Give me only my calm "beauty sleep" once again;
The birds singing sweetly at dawn be my lot
To hear, not loud torrents of partisan rot.
Home! Home! Sweet, sweet "Home!"
Be it ever so dirge-like, there's no cry like "Home!"
Source: Gutenberg

Various Punch, or the London Charivari…

At Her Majesty's, Lilli Lehmann was all right as Leonora: not Leonora of La Favorita, but Leonora the favourite wife of Manrico—no, not of Manrico, but of another personage who, like the unfortunate Trovatore, has to be rescued by his loving spouse from the tyranny of a powerful baritone; whether Verdi's Count di Luna or Sheridan's Pizarro, I cannot just now call to mind. Mlle. Lehmann is not only a fine singer, but also a serious dramatic artist; and the public was deeply impressed by her performance. She is a Lehmann with all the earnestness of a good clergyman
Source: Gutenberg

Various Punch, or the London Charivari…

JILLS IN OFFICE.
Scene—Portion of a Stationer's Shop, used as Post Office. Two Young Ladies (let them be distinguished as Miss Cross and Miss Orty) discovered behind wire-screen. At opening of scene, the public is composed exclusively of the gentler sex, and the demeanour of Miss C. and Miss O. though firm, is not positively forbidding. Lady Customers, having despatched their business move away, leaving the coast clear to three Mild Men, who advance to screen with a meekness designed to propitiate.
Source: Gutenberg

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