Various, Punch, or the London Charivari…
“ It would be difficult to mention any Opera less dramatic than this. The question arises at once, adapting the immortal phrase of JAMES LE SIFFLEUR, "Why lug in Hamlet?" Why not have called it Ophelia? Whatever interest there may be in the Opera—and there is very little—is centred entirely in Ophelia. The Ghost is utterly purposeless, but of distinguished appearance as a robust spectre, marching in at one gate, and out at another, or hiding behind a sofa, and popping up suddenly, in order to frighten an equally purposeless Hamlet. Like father, like son. ”
