Summary

Portrait of William Shakespeare William Shakespeare The Tragedie of Hamlet, Prince of Denmark

The self-accusation of Hamlet has its ground in the lapse of weeks during which nothing has been done towards punishing the king. Suddenly roused to a keen sense of the fact, he feels as if surely he might have done something. The first act ends with a burning vow of righteous vengeance; the second shows him wandering about the palace in profoundest melancholy—such as makes it more than easy for him to assume the forms of madness the moment he marks any curious eye bent upon him. Let him who has never loved and revered a mother, call such melancholy weakness.
Source: Gutenberg

Portrait of William Shakespeare William Shakespeare The Tragedie of Hamlet, Prince of Denmark

The student must call to mind the elements at war in Hamlet's soul, and generating discords in his behaviour: to those comes now the shock of Ophelia's death; the last tie that bound him to life is gone—the one glimmer of hope left him for this world! The grave upon whose brink he has been bandying words with the sexton, is for her! Into such a consciousness comes the rant of Laertes.
Source: Gutenberg

Portrait of William Shakespeare William Shakespeare The Tragedie of Hamlet, Prince of Denmark

The moment the pressure of a marvellous presence is removed, it is in the nature of man the same moment to begin to doubt; and instead of having any reason to wish the apparition a true one, he had every reason to desire to believe it an illusion or a lying spirit. Great were his excuse even if he forced likelihoods, and suborned witnesses in the court of his own judgment. To conclude it false was to think his father in heaven, and his mother not an adulteress, not a murderess! At once to kill his uncle would be to seal these horrible things irrevocable, indisputable facts.
Source: Gutenberg

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