Various

Summary

Various The Book of Christmas (1909)

Saviour's feet. Then they retire to a distance and worship in silence like the shepherds. Again the angels' song is heard, and while it dies away the curtain closes and the lights are put out.
The play is over, and the evening has come. The people must go from the warm church into the frozen snow, and crunch their homeward way beneath the moon. But in their minds they carry a sense of light and music and unearthly loveliness. Not a scene of this day's pageant will be lost. It grows within them and creates the poetry of Christmas. Nor must we forget the sculptors who listen to the play.
Source: Gutenberg

Various The Book of Christmas (1909)

There is little hope of bringing in the reign of good feeling by lighting a single Christmas fire, but a long line of such fires touching the receding horizon of the past with a happy glow is like a revival of a fading memory; it makes us suddenly aware of half-forgotten associations with the days that were once full of life and rippling with merriment like a mountain stream suffused with sunlight. We surrender ourselves so completely to the noisy activities of our own age that we forget how infinitesimal a portion of time it is and how misleading its emphasis often is.
Source: Gutenberg

Various The Book of Christmas (1909)

Alexander Smith, whose book of essays, "Dreamthorp," is one of the books of the heart,—for there are books of the heart as well as books of knowledge and books of power,—kindled his imagination into a responsive glow by rereading every Christmas Day Milton's "Ode on the Morning of Christ's Nativity." When one opens the volume at this great song, it is like going into a church and hearing the organ played by unseen hands; the silence is flooded by a vast music which lifts the heart into the presence of great mysteries.
Source: Gutenberg

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