Washington Allston

Washington Allston

Summary

Portrait of Washington Allston Washington Allston,  Lectures on Art

“ Would the Parthenon, for instance, with its beautiful forms,--made still more beautiful under its native sky,--seeming almost endued with the breath of life, as if its conscious purple were a living suffusion brought forth in sympathy by the enamoured blushes of a Grecian sunset;--would this beautiful object even then elevate the soul above its own roof? No: we should be filled with a pure delight,--but with no longing to rise still higher. It would satisfy us; which the sublime does not; for the feeling is too vast to be circumscribed by human content. ”
Source: Gutenberg

Portrait of Washington Allston Washington Allston,  Lectures on Art

“ Has human beauty, then, no power? When united with virtue and intellect, we might almost answer,--All power. It is the embodied harmony of the true poet; his visible Muse; the guardian angel of his better nature; the inspiring sibyl of his best affections, drawing him to her with a purifying charm, from the selfishness of the world, from poverty and neglect, from the low and base, nay, from his own frailty or vices:--for he cannot approach her with unhallowed thoughts, whom the unlettered and ignorant look up to with awe, as to one of a race above them ”
Source: Gutenberg

Portrait of Washington Allston Washington Allston,  Lectures on Art

“ So, too, on beholding a beautiful person, how common the wish that the mind it clothed were also good! What are these wishes but unconscious retrospects to our primitive nature? And why have we them, if they be not the workings of that universal law, which gathers to itself all scattered affinities, bodying them forth in the never-ending forms of harmony,--in the flower, in the tree, in the bird, and the animal,--if they be not the evidence of its continuous, though fruitless, effort to evolve too in man its last consummate work, by the perfect confluence of the body and the spirit? ”
Source: Gutenberg

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