Wilhelm von Scholz

Summary

Wilhelm von Scholz The Head in the Window (1938)

The painter had had only an indefinite impression of the man's bearded face. But his artist eye had taken in the squat, heavy frame, which stood out plainly in the moonlight, the peculiar swing of the man's walk, and even the wavering shadow which showed rather distinctly on the wall beyond him before he turned into the foot-path. When he had himself come abreast the path and peered fearfully down it, the man had disappeared. There were no buildings along the path, and it was distinctly visible for some distance. It seemed as if the earth had swallowed the man.
Source: Wikisource

Wilhelm von Scholz The Head in the Window (1938)

The look of anguish and appeal was still in the eyes that gazed up into the eyes of the painter, as if the deed were not yet committed and the man were begging him to come to his aid. And as the living man gazed with fascinated horror into the eyes of the dead man, the expression of the eyes seemed to change to one of reproach. The little dog had been ready and anxious to dash out and help defend the victim of a band of assassins, but his master had been too stupid, too selfish, too cowardly to come to the succor of a fellow-being in distress.
Source: Wikisource

Wilhelm von Scholz The Head in the Window (1938)

The artist took his revolver and went to the window. The moonlit landscape was calm and silent. Not a sight or a sound. If a gang of assassins had held a murdered man up to his window, a minute or two before, they could scarcely have made so complete a get-away in so short a time. The shutters on the window below were closed and locked. There was nothing to climb up by. And except for the feeling that he had heard something in his dream, the painter was sure that not a sound had reached him from outside the building.
The dog ran back and forth between the artist and the stairway.
Source: Wikisource

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