Willa Sibert Cather

Willa Sibert Cather

Summary

Portrait of Willa Sibert Cather Willa Sibert Cather The Enchanted Bluff (1909)

On one shore was an irregular line of bald clay bluffs where a few scrub oaks with thick trunks and flat, twisted tops threw light shadows on the long grass. The western shore was low and level, with cornfields that stretched to the skyline, and all along the water's edge were little sandy coves and beaches where slim cottonwoods and willow saplings flickered.
The turbulence of the river in springtime discouraged milling, and, beyond keeping the old red bridge in repair, the busy farmers did not concern themselves with the stream; so the Sandtown boys were left in undisputed possession.
Source: Wikisource

Portrait of Willa Sibert Cather Willa Sibert Cather The Enchanted Bluff (1909)

We lay back and looked, meditating, at the dark cover of the world. The gurgle of the water had become heavier. We had often noticed a mutinous, complaining note in it at night, quite different from its cheerful daytime chuckle, and seeming like the voice of a much deeper and more powerful stream. Our water had always these two moods: the one of sunny complaisance, the other of inconsolable, passionate regret.
"Queer how the stars are all in sort of diagrams," remarked Otto. "You could do most any proposition in geometry with 'em.
Source: Wikisource

Portrait of Willa Sibert Cather Willa Sibert Cather The Enchanted Bluff (1909)

Other boys came and went and used the river for fishing or skating, but we six were sworn to the spirit of the stream, and we were friends mainly because of the river. There were the two Hassler boys, Fritz and Otto, sons of the little German tailor. They were the youngest of us; ragged boys of ten and twelve, with sunburned hair, weather-stained faces, and pale blue eyes. Otto, the elder, was the best mathematician in school, and clever at his books, but he always dropped out in the spring term as if the river could not get on without him.
Source: Wikisource

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