Summary

Portrait of William Caxton William Caxton,  Dialogues in French and English

“ The original work contains so many references to the city of Bruges that it is impossible to doubt that it was compiled there. According to Michelant, the Paris MS. was written in the first half of the fourteenth century. The MS. used by Caxton must itself have been written not later than the second decade of the fifteenth century; unless, indeed, it was an unaltered transcript from an older MS. The evidence on which this conclusion is based is somewhat curious. Caxton’s text contains two passages in which the pope is spoken of as still resident at Avignon. ”
Source: Gutenberg

Portrait of William Caxton William Caxton,  Dialogues in French and English

“ Confite is a misreading on Caxton’s part for confire, comfrey; Michelant has the right word.
1531. Sera should be fera, as in Michelant; the sense is ‘the abatement which you will make will cause it to be sold.’ Caxton attempts to translate the erroneous reading sera, but his translation makes no sense.
161-1719. This interesting portion of the dialogue is not in Michelant.
1818. It en is not = Flemish het en es niet. Evidently when this was written Caxton had become more familiar with Flemish than with his native language.
”
Source: Gutenberg

Portrait of William Caxton William Caxton,  Dialogues in French and English

“ Clarisse la esbourysse Clarisse the nopster 12 Scet bien son mestier. Can well her craft. “Tresquand le a elle aprys “Syth whan hath she lerned it Draps esbourier?” Cloth for to noppe?” “Que demandes vous? “What axe ye? 16 Elle eu fu berchie. She was ther with rocked. Elle a bien a faire She hath good to doo Quelle gaigne moult, That she wynne moche, Car elle est moult gloutee.” For she is moche lichorous.” 20
DAvid le lormier
Est ung bon ouurier
DAvid the bridelmaker
Is a good werkman
De faire selles, For to make sadles, Frains, & esperons, Bridles, and spores, 24 Et ce quil y affiert.
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Source: Gutenberg

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