William De Lancey Ellwanger

Summary

William De Lancey Ellwanger The Oriental Rug

The choicest specimens of Turkish weave are as rubies to the other precious stones, rarer, more brilliant, and more costly than diamonds. Though not so closely woven as some of the Persians, they are wonderfully beautiful in artistic picturing and in their own Oriental splendour of colour and design. Such in particular are the antique Gheordez, as splendid in rich floods of light as the stained-glass windows of a cathedral. They are the finest woven and have the shortest nap of their class.
Source: Gutenberg

William De Lancey Ellwanger The Oriental Rug

Place a piece of modern Dresden china side by side with a fine antique specimen of Chinese porcelain, and the garishness of the modern ware will give a pallid tone to the soft whites of the Oriental artist. But the fault is not with the older and perfect art; it is simply the old truth, in a new form, that evil colours corrupt and kill good colours.
Be that as it may, old silk rugs are almost priceless, and of value to a millionaire collector for their originality of design [Pg 133] and for their soft harmonies of colour which centuries alone can give.
Source: Gutenberg

William De Lancey Ellwanger The Oriental Rug

When one square inch of rug is completed, according to the quality of the rug and the coarseness or fineness of the yarn, there have been thus laboriously tied from one hundred to five hundred knots, not uncommonly a thousand and more in some museum pieces. And all this while the weaver is working with his brains as well as with his fingers and keeping true to the design and colour scheme which he carries only in his head.
Source: Gutenberg

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