William Dean Howells

William Dean Howells

Summary

Portrait of William Dean Howells William Dean Howells The Story of a Play

Dogs ran barking vaguely about, and children with wooden shovels screamed at their play. Far off shimmered the sea, of one pale blue with the sky. The rooks were black at either end of the beach; a line of sail-boats and dories swung across its crescent beyond the bathers, who bobbed up and down in the surf, or showed a head here and there outside of it.
"What a singular spectacle," said Maxwell. "The casting off of the conventional in sea-bathing always seems to me like the effect of those dreams where we appear in society insufficiently dressed, and wonder whether we can make it go."
Source: Gutenberg

Portrait of William Dean Howells William Dean Howells The Story of a Play

He did not leave the window-seat, and it was as if the door had only just clashed to after her when there came a repeated and violent ringing at the bell, so that he jumped up himself, to answer it, without waiting for the maid.
"Your wife—your wife!" panted the bell-boy, who stood there. "She's hurt herself, and she's fainted."
"My wife? Where—how?" He ran down stairs after the boy, and in the hallway on the ground floor he found Louise stretched upon the marble pavement, with her head in the lap of a woman, who was chafing her hands.
Source: Gutenberg

Portrait of William Dean Howells William Dean Howells The Story of a Play

There was that immediate bareness and roughness which seems the first characteristic of the theatre behind the scenes, where the theatre is one of the simplest and frankest of workshops, in which certain effects are prepared to be felt before the footlights. Nothing of the glamour of the front is possible; there is a hard air of business in everything; and the work that goes to the making of a play shows itself the severest toil.
Source: Gutenberg

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