William Elliot Griffis

William Elliot Griffis

Summary

Portrait of William Elliot Griffis William Elliot Griffis Bonnie Scotland and what we owe her (1916)

It has the sensation almost of a shower bath, or crash towel friction, to see in court or pulpit, at clinic, or amid scenes of gentleness, people who bear ancestral names of once slashing swordsmen, or fellows of old famous for lifting cattle, or for defying the king’s writ, of whom we have read often in poetry and romance. How the centuries soften sharp outlines in the enchantment of distance!
It is invidious, if not mildly dangerous, to single out names. Yet with one we close our sketch of “Bonnie Scotland,” choosing for praise the dead, with no living line of descendants.
Source: Gutenberg

Portrait of William Elliot Griffis William Elliot Griffis Bonnie Scotland and what we owe her (1916)

A great rock, like that in Edinburgh, rises sheer from the plain. The tourist sees one of those natural fortresses, around which, first a church, then a fair, then a village, then a town, and finally, a famous city have had their evolution. One needs but little power of the historic imagination to go back to the days before the streets, avenues, and imposing buildings of to-day existed, and think of steel-clad knights and long trains of men with claymore and target. The castle, built on a precipitous rock, overlooks one of those low, flat, alluvial plains, which the Scots call a carse.
Source: Gutenberg

Portrait of William Elliot Griffis William Elliot Griffis Bonnie Scotland and what we owe her (1916)

The American who for the first time opens his eyes in Europe is like the newborn babe, whose sight is not yet focused. He sees double. There is continually before him the Old World of his fancy and the Europe of reality. War begins, as in heaven, between the angels—of memory and of hope. The front and the rear of his brain are in conflict. While the glamour of that initial glimpse, that never-recurring moment of first surprise, is before him, he perforce compares and contrasts the ideal and the reality, even to his bewilderment and confusion.
Source: Gutenberg

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