William Hope Hodgson

William Hope Hodgson

Summary

Portrait of William Hope Hodgson William Hope Hodgson The Searcher of the End House (1910)

A minute later, I noticed there was a change in the colour of the night in the cellar, and it grew slowly violet tinted upon my eyes. I glanced to and fro, quickly, in the new darkness, and even as I looked, I was conscious that the violet colour deepened. In the direction of the well, but seeming to be at a great distance, there was, as it were, a nucleus to the change; and the nucleus came swiftly toward us, appearing to come from a great space, almost in a single moment.
Source: Wikisource

Portrait of William Hope Hodgson William Hope Hodgson The Searcher of the End House (1910)

As the Child ran under the table, the steel prongs of my pitchfork glimmered with a violet, fluctuating light. A little way off, there showed high up in the gloom, the vaguely shining outline of the other fork, so I knew the inspector had it raised in his hand, ready. There was no doubt but that he saw something. On the table, the metal of the five lanterns shone with the same strange glow; and about each lantern there was a little cloud of absolute blackness, where the phenomenon that is light to our natural eyes, came through the fittings
Source: Wikisource

Portrait of William Hope Hodgson William Hope Hodgson The Searcher of the End House (1910)

The Child came with a natural running movement, exactly as I described it before; but in a silence so peculiarly intense, that it was as if it brought the silence with it. About half-way between the well and the table, the Child turned swiftly, and looked back at something invisible to me; and suddenly it went down into a crouching attitude, and seemed to be hiding behind something that showed vaguely; but there was nothing there, except the bare floor of the cellar; nothing, I mean, of our world.
Source: Wikisource

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