William John Hopkins

William John Hopkins

Summary

Portrait of William John Hopkins William John Hopkins The clammer and the submarine

There had been some desultory talk, and the lights had become too much for me, and I had wandered out with Eve into a sort of balcony that had no lights. And we sat—closer together than we could have sat if the balcony had been lighted—and Eve's hand came searching for mine that was already searching for hers, and we clasped our fingers close, and we looked out at the waters of the bay that sparkled dimly, and at the tapering band of moonlight that widened to a broad circle under the moon, and at the riding lights of the Arcadia and of Old Goodwin's great steamer,—a great dark shape.
Source: Gutenberg

Portrait of William John Hopkins William John Hopkins The clammer and the submarine

Tidda and the Sands girl were picking their way among the great pebbles of the shore, Tidda with light feet skipping from pebble to pebble, the Sands girl going more cautiously and clumsily.
Eve sighed again. "We may as well follow. There is no knowing what they will be up to next."
So I rose and we turned to follow, and there was Elizabeth Radnor not ten steps away, smiling and regarding us with friendly eyes. As she drew near her eyes looked gray-green, not hazel, calm and humorous and knowing. Perhaps they are of the changeable kind. I have seen changeable eyes before.
Source: Gutenberg

Portrait of William John Hopkins William John Hopkins The clammer and the submarine

I had seen Eve showing him the clump of trees earlier in the day. At last they did walk off toward the trees, Olivia obviously discontented and watching Bobby out of the corner of her eye.
I drifted toward Eve, and she drifted toward me, and we came together, which might be reprehensible but was not strange. We generally do come together. She was clad all in light, filmy white, with two red roses at her bosom, and her hair a glory. And her eyes—there are no other such eyes as hers.
Source: Gutenberg

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