William Powell Frith

“ It is not my province, and it is certainly not in my power, to pose as a critic of literary work; and the hero—the man made of money, with a heart made of bank-notes instead of flesh and blood, containing within himself a bank that could be drawn upon to any amount—is so wonderful a being as to place him out of the category of human creatures, and altogether beyond criticism. This gentleman’s name was Jericho. ”

“ Sponge a white silk jacket to ride in, and a cap of the same colour. Altogether, he is a great swell, and very like a bridegroom,” says the author.
If this drawing suffered in the hands of the wood-engraver, it must have been beyond imagination beautiful, for, as it is, it shows us Leech in his full strength. Nothing, it seems to me, could surpass the figure of Lucy, whose expression of loving fear for the safety of the bold Sponge is shown to us in one of the prettiest faces conceivable. Sponge himself is no less successfully rendered as he smiles reassuringly at his beloved. ”

“ This terrible death-scene has found a perfect illustrator in John Leech. How admirable is the fiendish expression of the poisoner as he gloats over the body of his victim, which is drawn with a power and truthfulness altogether perfect! ”

“ I remember Grisi, and I cannot share Miss Lawson’s conviction of her resemblance to that great singer—personal resemblance, I mean—and, in all probability, she had as feeble a claim to an equality of genius; but that she had a powerful voice, and that she gave it full effect, is evident by Leech’s perfect rendering of that wonderful mouth, from which one can almost hear the roulade. All the lines of the figure, with the movement of the hands, and the backward action of the singer, are true to Nature. The assistant at the music-book and the stolid old gentleman are also excellent. ”

“ Monica turned pale at the smallest courtesy of her parent, and Agatha, suddenly meeting him on the staircase, squealed and ran away as from a fiend.
“Mr. Jericho went on a rejoicing conqueror. His huge town mansion, burning with gold—massive, rich, and gorgeous; for the Man of Money was far the most substantial, the most potent development of his creed, whereby to awe and oppress his worshippers——”
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Mrs. Jericho had made up her mind that it was time her daughters were “settled in life, and she said as much to her husband.” ”

“ I have no means of knowing, nor do I desire to know, who the borrowers were to whom Percival Leigh alludes; but his revelations make the fact of Leech having died a comparatively poor man comprehensible enough. If ever man was killed by overwork, Leech was that man, and this must be a painful reflection for those whose incessant demands upon him made it only possible for him to meet them by the incessant exertions which destroyed him. ”

“ No drawing done by a child of three years old, however gifted, could be “wonderful” in the estimation of Flaxman; and that such an artist as he was should have said anything so foolish as what is tantamount to advising a parent against “learning to draw” I take the liberty of disbelieving. Flaxman was a friend of the Leeches, and in after years, while John Leech was still a youth, the sculptor again examined some of his sketches, and, after looking well at them, he very likely said, as is reported:
“That boy must be an artist; he will be nothing else.” ”

“ The somewhat theatrical character that Leech gives to the figure of Sainte-Croix is much less apparent in this powerful drawing; and in the figures of Exili and the Marchioness there is not a trace of it. Though the Brinvilliers is masked according to a habit of the time, we feel that the mask conceals a beautiful face, distorted by fear, no doubt, but still lovely. The Italian is altogether excellent. ”

“ Previous to this by about four years, some feeble buds of the genius that blossomed so abundantly afterwards are said to have shown themselves, and to have been observed by Flaxman as the child sat with pencil and paper on his mother’s knee. The great sculptor is reported to have said:
“This drawing is wonderful. Do not let him be cramped by drawing-lessons; let his genius follow its own bent. He will astonish the world.” ”

“ Of course you remember that unfortunate postal envelope that I designed? Well, Leech caricatured it. You needn’t look so surprised—you don’t think I am such a fool as to mind being caricatured; but I do mind being represented as a blood-sucker! What else can he mean by using that infernal little leech in a bottle in the front of his caricature as my signature? You know well enough, Frith, that I have never asked monstrous prices for my pictures. You fellows get better paid for your work than I ever did, and you wouldn’t like to be called blood-suckers, I expect. ”

“ I have never seen any specimens of the father’s drawing, nor did I ever hear the son speak of it. Anyway, Leech père had no faith in the practice of art as a means of livelihood for his son, for he informed the youth, after a nine years’ attendance at the Charterhouse, that he was destined for the medical profession. There is no record of any objection on the part of Leech to his father’s decision, at which I feel surprise; for the flame which burnt so brilliantly in after-life must have been always well alight, and very antagonistic to the kind of work required from the embryo surgeon. ”

“ A madman, they say, thinks all the world mad but himself; and it is not uncommon for a drunken man to imagine himself to be the only sober person in the company. That some feeling of this kind possesses 42 the rider in the drawing opposite, as he addresses the stolid postboy, is evident enough; his drunken smile, his battered hat, and his dishevelled dress, are eloquent of his proceedings on the course; and if his return from the Derby is not signalized by a fall from his horse, he will be more fortunate than he deserves to be. ”

“ One of the peculiarities of Leech’s art is that “time cannot wither it, nor custom stale its infinite variety.” I defy the most serious Scotchman to look at the sketch below without laughing at it. As the gentleman who is on the highroad to being parboiled is in one of the sketches of 1846, many of my readers may see him for the first time. I envy that man; but though I am very familiar with the wonderful little drawing, a renewed acquaintance is always a delight to me. ”

“ My friend Augustus Egg, R.A., who lived in a charming house in Queen’s Road, Bayswater, was not only well known as an excellent artist, but also as being the Amphitryon whose hospitality was famous, and whose dinners were still more famous by reason of the guests who were wont to surround his table. Where is the hungry man who would not have been enchanted to meet Dickens and Leech, Mark Lemon and John Forster (Dickens’s biographer) , Hawkins, Q.C. (now the judge) , Landseer, Mulready, Webster, and other artists less famous? ”

“ Wife and daughters, with jury of friends, started to their feet. Candytuft, ere he was aware—for had he reflected “a moment, he would as soon have unbarred a lion’s cage—opened the doors. And there stood Jericho, laden with spoil.”
Though Mr. Jericho was voted sane by the doctors, his conduct displayed a brutality for which madness would be the only excuse. The Jews were coming, everything was to be sold.
“‘Why stay you here?’ cried the man of money to his wife. ‘Why will you not be warned? In a few hours there will not be a bed for your fine costly bones to lie upon. ”

“ Leech made no way at the Charterhouse; never approaching the position held by Thackeray, who was four years his senior: indeed, I doubt that they saw, or cared to see, much of each other, little dreaming that they would ultimately become dear and fast friends till death separated them, only to meet again, as we believe, after the sad, short interval that elapsed between the deaths of each.
I cannot say I believe in inherited talent, but the fact that the elder Leech was said to be a remarkable draughtsman seems to strengthen the theory held by some people. ”

“ Gilbert à Beckett persisted, however, and the history appeared, with over three hundred illustrations on wood and steel by John Leech. The book is, as might be expected, very light reading, containing 259 many puns and much play upon words. Leech’s work seems to me to be slight, hurried, and even careless, compared with that of his later time; but the spirit of rollicking fun with which grave historical incidents are treated, and the humorous satire that the principal personages receive at the hands of the illustrator, make the “Comic History of England” amusing enough. ”

“ The “Comic English Grammar” was a work full of pleasant humour, charmingly illustrated by Leech 256 “with upwards of fifty characteristic woodcuts.” It is curious to observe in these drawings the contrast that they afford to the artist’s later and more perfect work. There is a timidity, and what we call a hardness, from which the sketches in “Pictures of Life and Character” are entirely free; the general drawing, too, is faulty, but the humour and character are all there. ”

“ No doubt the elder Leech’s misfortunes were “blessings in disguise,” for we owe to them the necessity that compelled the younger man to devote himself to art.
The art of drawing upon wood, to which Leech in his later years almost entirely confined himself, dates 21 back from very early times. Lithography, or drawing upon stone, is a comparatively modern invention, and, until the introduction of photography, was used for varieties of artistic reproduction. It was to that process we owe the first published work of Leech. ”

“ We now come to the first of those precocious 38 youths in whose mannish ways, whose delightful impertinence to their elders, whose early susceptibility to the passion of love for ladies three times older than themselves, are shown by Leech in many a scene I should have given to my readers, but over them the Copyright Act stands guard. “’Tis true, ’tis pity, pity ’tis, ’tis true,” that in a book intended solely to do honour to Leech’s genius, so many of the most perfect examples of it are denied to us. ”

“ Leech’s gentle yielding nature influenced him then as always; and he went to St. Bartholomew’s, where under Mr. Stanley, the surgeon of the hospital, he worked 16 hard and delighted his master by his excellent anatomical drawings. From these studies may be traced, I think, much of the knowledge of the human form, and above all of proportion, always displayed in his work; for in those wonderful drawings, whether a figure is tall or short, fat or thin, whether he deals with a child or a giant, with a dog or a horse, no disproportion can be found. ”

“ Mr. Candytuft, and of an incredible idiot, Sir Arthur Homadod. The idiot was as beautiful as he was foolish; he was therefore handsome beyond the dreams of beauty. Whatever had taken the place of the mind in the baronet was impressed by Miss Agatha Pennibacker, and that virgin’s heart being free, she lost it to Sir Arthur. The Hon. Mr. Candytuft, having an eye to the enormous fortune supposed to be possessed by Mr. Jericho, and being desirous to secure the portion of it that would of course fall to his step-daughter, made love to Miss Monica with considerable success. ”

“ I think my married reader of the rougher sex will agree with me when I say that there are few more uncomfortable, not to say alarming, moments than those spent in the awful interview with the parents of his beloved, during which he has to prove beyond all doubt that he is in every respect an individual to whom the happiness of a “dear child” can be safely entrusted. ”

“ No one who ever handled a brush or a pencil has been so successful as Leech in conveying the action of wind on every object, and never did he succeed more completely than in an “Awful Scene on the Chain Pier at Brighton,” which is, no doubt, somewhat farcical; but how intensely funny! Master Charley has gone, and his ma’s parasol has accompanied him. The horror-struck nursemaid is almost blown off her feet; and Charley’s brother, also terror-stricken, will be down on his back in a moment; whilst his little 53 sister maintains her equilibrium with great difficulty. ”

“ Albert Smith makes Leech’s drawing a peg upon which he hangs some justly complimentary remarks on the Thackeray lectures which took the town by storm forty years ago.
Whether the “Belle of Hyde Park” or the “Belle of the Ball” is to be considered the belle of the Month’s July issue is left in doubt; but there is no doubt whatever about the claim of the pretty creature (who, accompanied by an extremely plain and dissolute-looking cavalier in the costume of Charles II.’s time, enters an imaginary ball-room) to a loveliness that it would be difficult to surpass, as the drawing amply proves. ”