Summary

Portrait of William Wells Brown William Wells Brown Three Years in Europe — Letter VII.

Callot's painting of the battle of Marengo, Hue's of the retaking of Genoa, and Bouchat's of the 18th Brumaire, are of the highest order; while David has transmitted his fame to posterity, by his splendid painting of the Coronation of Napoleon and Josephine in Notre Dame. When I looked upon the many beautiful paintings of the last named artist, that adorn the halls of Versailles, I did not wonder that his fame should have saved his life, when once condemned and sentenced to death during the reign of terror. The guillotine was robbed of its intended victim, but the world gained a great painter.
Source: Wikisource

Portrait of William Wells Brown William Wells Brown Three Years in Europe — Letter VII.

As Boswell transmitted his own name to posterity with his life of Johnson, so has David left his, with the magnificent paintings that are now suspended upon the walls of the palaces of the Louvre, the Tuileries, St. Cloud, Versailles, and even the little Elysee.
After strolling from room to room, we found ourselves in the Salle du Sacre, Diane, Salon de Mars, de Mercure, and d'Apollon. I gazed with my eyes turned to the ceiling till I was dizzy. The Salon de la Guerre is covered with the most beautiful representations that the mind of man could conceive, or the hand accomplish.
Source: Wikisource

Portrait of William Wells Brown William Wells Brown Three Years in Europe — Letter VII.

Few nations are more courteous than the French. Here the stranger, let him come from what country he may, and be ever so unacquainted with the people and language, he is sure of a civil reply to any question that he may ask. With the exception of the egregious blunder I have mentioned of the cabman driving me to the Elysee, I was not laughed at once while in France.
Source: Wikisource

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