Summary

Portrait of Willis J. Abbot Willis J. Abbot Panama and the Canal in Picture and Prose

The older churches, or their ruins, diversify the city streets, and the Cathedral Plaza in the very center with the great open café of the historic Hotel Centrale at one side has a distinctly foreign flavor. Here as one sits in the open listening to the native band and sipping a drink—softer, if one be wise, than that the natives thrive upon—and watches the native girls of every shade and in gayest dress driving or loitering past, one feels far from the bustling North American world, far from that snap and ginger and hustle on which Americans pride themselves.
Source: Gutenberg

Portrait of Willis J. Abbot Willis J. Abbot Panama and the Canal in Picture and Prose

And there are many little French graveyards scattered about the Isthmus which make one who comes upon them unawares feel that the really vital thing about the French connection with the canal was not that the first blast which it had been prepared to celebrate with some pomp failed to explode, or that the young engineers did not understand that champagne mixed but badly with a humid and malarial climate, but that the flower of a great and generous nation gave their lives in a struggle with hostile nature before science had equipped man with the knowledge to make the struggle equal.
Source: Gutenberg

Portrait of Willis J. Abbot Willis J. Abbot Panama and the Canal in Picture and Prose

On our trip to the river’s mouth we passed many in their slender cayucas, some tied by a vine to the bank patiently fishing, others on their way to or from market with craft well loaded with bananas on the way up, but light coming back, holding gay converse with each other across the dark and sullen stream. Here and there through breaks in the foliage we see a native house, or a cluster of huts, not many however, for the jungle is too thick and the land too low here for the Indians who prefer the bluffs and occasional broad savannas of the upper waters.
Source: Gutenberg

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