Summary

Portrait of Witter Bynner Witter Bynner Spectra: A Book of Poetic Experiments

These spectres are the manifold spell and true essence of objects,—like the magic that would inevitably encircle a mirror from the hand of Helen of Troy.
Just as the colors of the rainbow recombine into a white light,—just as the reflex of the eye's picture vividly haunts sleep,—just as the ghosts which surround reality are the vital part of that existence,—so may the Spectric vision, if successful, synthesize, prolong, and at the same time multiply the emotional images of the reader.
Source: Gutenberg

Portrait of Witter Bynner Witter Bynner Spectra: A Book of Poetic Experiments

The rays which the poet has dissociated into colorful beauty should recombine in the reader's brain into a new intensity of unified brilliance. The reflex of the poet's sight should sustain the original perception with a haunting keenness. The insubstantiality of the poet's spectres should touch with a tremulous vibrancy of ultimate fact the reader's sense of the immediate theme.
If the Spectrist wishes to describe a landscape, he will not attempt a map, but will put down those winged emotions, those fantastic analogies, which the real scene awakens in his own mind.
Source: Gutenberg

Portrait of Witter Bynner Witter Bynner Spectra: A Book of Poetic Experiments

It may be noted that to Spectra, to these reflected experiences of life, as we perceive them, adheres often a tinge of humor. Occidental art, in contrast to art in the Orient, has until lately been afraid of the flash of humor in its serious works. But a growing acquaintance with Chinese painting is surely liberating in our poets and painters a happy sense of the disproportion of man to his assumed place in the universe, a sense of the tortuous grotesque vanity of the individual. By this weapon, man helps defend his intuition of the Absolute and of his own obscure but real relation to it.
Source: Gutenberg

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