Ralph Waldo Emerson

Ralph Waldo Emerson

Summary

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson English Traits — Literature (1856)

Nothing comes to the book-shops but politics, travels, statistics, tabulation, and engineering, and even what is called philosophy and letters is mechanical in its structure, as if inspiration had ceased, as if no vast hope, no religion, no song of joy, no wisdom, no analogy, existed any more. The tone of colleges, and of scholars and of literary society has this mortal air. I seem to walk on a marble floor, where nothing will grow. They exert every variety of talent on a lower ground, and may be said to live and act in a sub-mind.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson English Traits — Literature (1856)

He passes in silence, or dismisses with a kind of contempt, the profounder masters: a lover of ideas is not only uncongenial, but unintelligible. Hallam inspires respect by his knowledge and fidelity, by his manifest love of good books, and he lifts himself to own better than almost any the greatness of Shakspeare, and better than Johnson he appreciates Milton. But in Hallam, or in the firmer intellectual nerve of Mackintosh, one still finds the same type of English genius. It is wise and rich, but it lives on its capital.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson English Traits — Literature (1856)

They parry earnest speech with banter and levity; they laugh you down, or they change the subject. "The fact is," say they over their wine, "all that about liberty, and so forth, is gone by; it won't do any longer." The practical and comfortable oppress them with inexorable claims, and the smallest fraction of power remains for heroism and poetry. No poet dares murmur of beauty out of the precinct of his rhymes. No priest dares hint at a Providence which does not respect English utility.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature