Summary

Fugitive Poetry. 1600–1878 (1878)

“ There are those who are enraptured with the muse of Moore, whose crown is a circlet of shining gems, but allowed to have much of the drawing-room sheen about them. While some would claim Scotland's wreath for Scott, the picturesque painter in words, the poet of chivalry and romance, others give the title of Scotland's National Bard to Robert Burns, the peasant in "hodden grey," who speaks to the hearts of his countrymen, the gentle and stirring spirit of whose poetry has spread into every home and over every country where the English tongue is known. ”
Source: Wikisource

Fugitive Poetry. 1600–1878 (1878)

“ There is a poet for every palate, and, while we revere the memories and praise the works of those whose names are written on the Scroll of Fame, what have we to say about the many gems that have been written throughout all these poetic eras; gems whose sterling merit has found them a place in many a standard class-book; gems whose genuineness finds them an undeniable place in many a high-class magazine; gems whose worth entitles them to creep into the vagrant corner of a newspaper to enjoy light for, alas! ”
Source: Wikisource

Fugitive Poetry. 1600–1878 (1878)

“ In the true minstrelsy of devotion, there is a higher excellence than that of mere genius. Poetry herself acknowledges a power which is not in her, and observes a deep and sublime emotion excited which she cannot, unassisted, produce or maintain in the souls of her listeners. ”
Source: Wikisource

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