Summary

by Henry James,  Roderick Hudson (unsourced edition… (1875)

“ As one stands, one knows the worst. It seems to me very frightful to develop," she added, with her complete smile.
"One is in for it in one way or another, and one might as well do it with a good grace as with a bad! Since one can't escape life, it is better to take it by the hand."
"Is this what you call life?" she asked.
"What do you mean by 'this'?"
"Saint Peter's—all this splendor, all Rome—pictures, ruins, statues, beggars, monks."
"It is not all of it, but it is a large part of it. All these things are impregnated with life; they are the fruits of an old and complex civilization."
”
Source: Wikisource

by Henry James,  Roderick Hudson (unsourced edition… (1875)

“ Rowland felt that it was not amusement and sensation that she coveted, but knowledge—facts that she might noiselessly lay away, piece by piece, in the perfumed darkness of her serious mind, so that, under this head at least, she should not be a perfectly portionless bride. She never merely pretended to understand; she let things go, in her modest fashion, at the moment, but she watched them on their way, over the crest of the hill, and when her fancy seemed not likely to be missed it went hurrying after them and ran breathless at their side, as it were, and begged them for the secret. ”
Source: Wikisource

by Henry James,  Roderick Hudson (unsourced edition… (1875)

“ She wished to be very sure, to take only the best, knowing it to be the best. There was something exquisite in this labor of pious self-adornment, and Rowland helped it, though its fruits were not for him. In spite of her lurking rigidity and angularity, it was very evident that a nervous, impulsive sense of beauty was constantly at play in her soul, and that her actual experience of beautiful things moved her in some very deep places. For all that she was not demonstrative, that her manner was simple, and her small-talk of no very ample flow ”
Source: Wikisource

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