Summary

Portrait of e. e. cummings e. e. cummings,  The Enormous Room — A PILGRIM'S PROGRESS (1922)

“ Nervously (he was shy in the big city) the older asked if the driver knew where the Gare was. "Quelle?" demanded the cocher angrily. And when he was told—"Of course, I know, why not?" We got in; I being directed to sit in the middle, and my two bags and fur coat piled on top of us all.
So we drove through the streets in the freshness of the full morning, the streets full of a few divine people who stared at me and nudged one another, the streets of Paris ... the drowsy ways wakening at the horses' hoofs, the people lifting their faces to stare.
”
Source: Wikisource

Portrait of e. e. cummings e. e. cummings,  The Enormous Room — A PILGRIM'S PROGRESS (1922)

“ I tried a little chocolate. The bonhommes were already busy with their repast. The older gendarme watched me chewing away at the chocolate, then commanded, "Take some bread." This astonished me, I confessed, beyond anything which had heretofore occurred. I gazed mutely at him, wondering whether the gouvernement français had made away with his wits. He had relaxed amazingly: his cap lay beside him, his tunic was unbuttoned, he slouched in a completely undisciplined posture—his face seemed to have been changed for a peasant's, it was almost open in expression and almost completely at ease. ”
Source: Wikisource

Portrait of e. e. cummings e. e. cummings,  The Enormous Room — A PILGRIM'S PROGRESS (1922)

“ The cocher gave me a look and remarked whatever it is Paris drivers remark to Paris cab horses, pulling dully at the reins. We entered the station and I collapsed comfortably on a bench; the younger, seating himself with enormous pomposity at my side, adjusted his tunic with a purely feminine gesture expressive at once of pride and nervousness. Gradually my vision gained in focus. The station has a good many people in it. The number increases momently. A great many are girls. I am in a new world—a world of chic femininity. ”
Source: Wikisource

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