Summary

Portrait of e. e. cummings e. e. cummings The Enormous Room — JEAN LE NÈGRE (1922)

From that in stant till the day I left him he was the old Jean—joking, fibbing, laughing, and always playing—Jean L'Enfant.
And I think of Jean le Nègre ... you are something to dream over, Jean; summer and winter (birds and darkness) you go walking into my head; you are a sudden and chocolate-coloured thing, in your hands you have a habit of holding six or eight plantons (which you are about to throw away) and the flesh of your body is like the flesh of a very deep cigar.
Source: Wikisource

Portrait of e. e. cummings e. e. cummings The Enormous Room — JEAN LE NÈGRE (1922)

I myself was somewhat fearful for Jean's sanity and highly indignant at the planton. The matter ended with the planton's being sent about his business; simultaneously with Jean's dismissal to the cour, whither I accompanied him. My best efforts to comfort Jean in this matter were quite futile. Like a child who has been unjustly punished he was inconsolable. Great tears welled in his eyes. He kept repeating "sees-tee franc—planton voleur," and—absolutely like a child who in anguish calls itself by the name which has been given itself by grown-ups—"steel Jean munee."
Source: Wikisource

Portrait of e. e. cummings e. e. cummings The Enormous Room — JEAN LE NÈGRE (1922)

Some time after the soup, about eight o'clock, the Fighting Sheeney and The Trick Raincoat suddenly set upon Jean le Nègre à propos of nothing; and began pommelling him cruelly. The conscience-stricken pillar of beautiful muscle—who could have easily killed both his assailants at one blow—not only offered no reciprocatory violence but refused even to defend himself.
Source: Wikisource

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