e. e. cummings

e. e. cummings

Summary

Portrait of e. e. cummings e. e. cummings,  The Enormous Room — SURPLICE (1922)

“ And he is intensely religious, religious with a terrible and exceedingly beautiful and absurd intensity ... every Friday he will be found sitting on a little kind of stool by his paillasse reading his prayer-book upside down; turning with enormous delicacy the thin difficult leaves, smiling to himself as he sees and does not read. Surplice is actually religious, and so are Garibaldi and I think The Woodchuck (a little dark sad man who spits blood with regularity) ”
Source: Wikisource

Portrait of e. e. cummings e. e. cummings,  The Enormous Room — SURPLICE (1922)

“ I will admit, in the beginning, that I never knew Surplice. This for the simple reason that I am unwilling to know except as a last resource. And it is by contrast with Harree The Hollander, whom I knew, and Judas, whom I knew, that I shall be able to give you (perhaps) a little of Surplice, whom I did not know. For that matter, I think Monsieur Auguste was the only person who might possibly have known him; and I doubt whether Monsieur Auguste was capable of descending to such depths in the case of so fine a person as Surplice.
Take a sheer animal of a man.
”
Source: Wikisource

Portrait of e. e. cummings e. e. cummings,  The Enormous Room — SURPLICE (1922)

“ The inhabitants of The Enormous Room had given to Surplice a small but essential part in the drama of La Misère: he would play that part to the utmost of his ability; the cap-and-bells should not grace a head unworthy of their high significance. He would be a great fool, since that was his function; a supreme entertainer, since his duty was to amuse. After all, men in La Misère as well as anywhere else rightly demand a certain amount of amusement; amusement is, indeed, peculiarly essential to suffering; in proportion as we are able to be amused we are able to suffer ”
Source: Wikisource

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