The surplice, a liturgical vestment of Western Christianity, is a white linen or cotton tunic with wide sleeves, traditionally worn by clergy during worship. Originating in medieval Europe, it transformed from a long garment into shorter styles, reflecting both liturgical tradition and practical needs. While its main function is religious, writers have assigned it symbolic meaning: E.E.
Cummings portrays "Surplice" as a figure of social mockery, revealing human vulnerability, while Michael Arlen employs the name to criticize societal elitism. Charles Philip Augustus Burnett underscores its ceremonial role in Low Mass, highlighting its place in sacred ritual, and Émile Zola describes its visual splendor in religious processions. These diverse portrayals emphasize the surplice’s dual nature—as both a symbol of spiritual cleanliness and a narrative device for examining human weakness and social critique.