Michael Arlen,
May Fair
(1925)
“ The grandeur of distress, the lofty silence of disdain—there is the girl’s mother in her shadowed chair and Sir Guy Conduit de Gramercy at his writing-table, the light of the shaded lamp by his elbow laying a rich gloss on his thick white hair. The indifference that masks the depths of emotion, the faint mockery, the deep gravity, and the cunning candour of love——there is Joan de Gramercy coiled in a chair near her mother, a girl with those cool eyes that dare a man to surprise in them any secret that they will not, in their own good time, completely surrender to him. ”
