“ How much, Dwight?""Now isn't that like a woman. Isn't it?""I thought he was from a good family," said Ina."My mercenary little pussy!""Well," she said with a sigh, "I shouldn't be surprised if Di did really accept him. A young girl is awfully flattered when a good-looking older man pays her attention. Haven't you noticed that?"Dwight informed her, with an air of immense abstraction, that he left all such matters to her. Being married to Dwight was like a perpetual rehearsal, with Dwight's self-importance for audience.A few evenings later, Cornish brought up the music. ”
Dwight
Definition and stakes
The concept of "Dwight" appears throughout literature as a multifaceted name, frequently representing moral strictness, social commentary, or intricate personal relationships. Authors such as Zona Gale depict Dwight as a dominant character in Miss Lulu Bett, where his interactions expose conflicts between power and susceptibility.
Samuel Lee Wolff, in The Cambridge History of American Literature, portrays Dwight as a theological commentator on human weakness, while Edward Bellamy’s The Duke of Stockbridge illustrates him as a severe arbiter confronting family shame. These differing depictions highlight Dwight’s function as both a figure of ethical examination and a person struggling with personal and societal pressures. The theme thus reveals a range of human characteristics, from rigid virtue to the paradoxes of real-life experience.
Quotes about “Dwight”
Samuel Lee Wolff, The Cambridge History of American Literature (1917)
“ Carrying his theology into his judgments upon life, Dwight is interested above all, then, in seeing how a depraved humanity actually gets along in the world. His picture of the trim green New England landscape, with its white spires and prosperous villages, and his picture of the unkempt and sprawling German settlements along the Mohawk, though they may at first seem intended to produce an imaginative contrast, at length reveal his purpose of showing what it is that makes people become respectable. ”
Edward Bellamy,
The Duke of Stockbridge — CHAPTER NINTHJUDGE DWIGHT'S SIGNATURE
(1900)
“ The four justices, and the wife and daughter of Dwight, alone remained in the room. Even the people who had been staring in, with their noses flattened against the window panes, had rushed away to the new point of interest. Dwight stood steadfastly looking at his daughter, with a stern and Rhadamanthine gaze, in which, nevertheless, grief and reproachful surprise, not less than indignation, were expressed. The girl shrinking behind her mother, seemed more in terror than when the mob had burst into the room. ”
