Summary

Samuel Lee Wolff The Cambridge History of American Literature (1917)

He is at once dogmatist and mystic; he works out his theology into dualistic metaphysics, yet he knows himself to be one with God; though he philosophizes away the Freedom of the Will, and preaches Hell for sinners, yet he meditates also the Benevolence of the Deity, and is translated into mystical rhapsodies upon the divine love and upon Nature as its symbol and emanation. The primacy he gives to motivation places him with those who insist that reward and punishment must be held up before depraved mankind to keep it even outwardly decent
Source: Wikisource

Samuel Lee Wolff The Cambridge History of American Literature (1917)

With a flexibility that was little short of marvellous in one well past his threescore years and ten and confronted by a new and complex hypothesis, he seized at once the fundamental issue between evolutionism and Christianity. This, he saw, was essentially the old issue of immanence against transcendence. Many a younger mind even now fails to grasp this ultimate implication as Hopkins grasped it the moment Tyndall pointed it out; many a Christian even now thinks himself a thorough-going evolutionist when he believes that a detached God created the universe and left it thenceforth to evolve.
Source: Wikisource

Samuel Lee Wolff The Cambridge History of American Literature (1917)

Carrying his theology into his judgments upon life, Dwight is interested above all, then, in seeing how a depraved humanity actually gets along in the world. His picture of the trim green New England landscape, with its white spires and prosperous villages, and his picture of the unkempt and sprawling German settlements along the Mohawk, though they may at first seem intended to produce an imaginative contrast, at length reveal his purpose of showing what it is that makes people become respectable.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature