Harold Clarke Goddard

Summary

Harold Clarke Goddard The Cambridge History of American Literature (1917)

To Emerson, God and Nature are merely two aspects of a single spirit. To James, endlessly interesting as the natural world is in its instrumental capacity, in any ultimate sense nature is merely “so much weather.” And yet, under analysis, such distinctions turn out to be partly nominal and relatively superficial, for, deeper than all their differences of doctrine, there is a community of spirit among these men, a something central and controlling in them all, something which in its day was the driving force of transcendentalism, the innate idealism and individualism of the New England mind.
Source: Wikisource

Harold Clarke Goddard The Cambridge History of American Literature (1917)

With the fading of the Renaissance, Europe had passed into an age of criticism, during which all it had inherited and achieved in the preceding era was subjected to the test of reason. Throughout the eighteenth century especially, the existing structure of society was subtly undermined, and when, at the end of that century, it finally collapsed, the revolution which in reality had long been in preparation took on an abrupt and miraculous appearance.
Source: Wikisource

Harold Clarke Goddard The Cambridge History of American Literature (1917)

Philosophically it meant the contention, in the face of existing rationalisms and skepticisms, that man’s practical and imaginative faculties play a part in his apprehension of the truth. In the realm of art and literature it meant the shattering of pseudo-classic rules and forms in favour of a spirit of freedom, the creation of works filled with the new passion for nature and common humanity and incarnating a fresh sense of the wonder, promise, and romance of life.
Source: Wikisource

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