George William Curtis

George William Curtis

Summary

Portrait of George William Curtis George William Curtis Appletons' Cyclopædia of American Biography (1900)

But the next autumn his friend stepped into an omnibus in New York in which Sumner was sitting, and, entirely forgetting the breach, greeted him with the old warmth. Sumner responded as warmly, and at once the old intimacy was completely restored. From envy or any form of ill-nature he was wholly free. No man was more constant and unsparing in the warfare with slavery and in the demand of equality for the colored race; but no soldier ever fought with less personal animosity. He was absolutely fearless.
Source: Wikisource

Portrait of George William Curtis George William Curtis Appletons' Cyclopædia of American Biography (1892)

The genius of both, although very unlike, was among the most exquisite blossoms of the New England Puritan stock. A fanciful analogy may be traced, perhaps, between the sunny and serene and lofty tone of Emerson and the muse of the young Puritan Milton, while the weird imagination of Hawthorne, brooding over the mysteries of human life and character and bodying forth his musings in literary form, vivid, subtle, and original, may recall the later strain of the poet dealing with fate, free-will, foreknowledge absolute.
Source: Wikisource

Portrait of George William Curtis George William Curtis Appletons' Cyclopædia of American Biography (1892)

But his early works were a series of sketches of just such romances, and “The Scarlet Letter” was a romance drawn from the shadow and mystery and bareness of the earliest civilized life of that country, a tale which made its gloom marvellously picturesque and pathetic, and proved that American genius could find no more prolific subjects for imaginative treatment in literature than those that the annals of its own country could furnish.
Source: Wikisource

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