Émile Zola

Émile Zola

Summary

Portrait of Émile Zola Émile Zola The Dream

Then, on the threshold of the great door, at the top of the steps which went down into the Place du Cloître, she tottered. Had she not really arrived at the summit of her happiness? Was not it there that the joy of her life, being perfected, was to end? With a last effort she raised herself as much as possible, that she might put her lips upon the lips of Felicien. And in that kiss of love she passed away for ever.
But her death was without sadness. Monseigneur, with his habitual movement of pastoral benediction, aided this pure soul to free itself from the frail body.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Dream

If before the apprentice he did not even kiss her hand, he never entered their chamber, even after twenty years of marriage, without an emotion of gratitude for all the happiness that had been given him. This was their true home, this room with its tinted paintings, its blue wall-paper, its pretty hangings, and its walnut furniture. Never was an angry word uttered therein, and, as if from a sanctuary, a sentiment of tenderness went out from its occupants, and filled the house. It was thus for Angelique an atmosphere of affection and love, in which she grew and thrived.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Dream

Very few persons came in; the great altar alone, a sarcophagus of severe Romanesque style, glittered as if burning at the end of the nave, covered as it was with stars from the flame of many candles; all the rest of the enormous building—the aisles, the chapels, and the arches—seemed filled with shadow under the coming-on of the evening darkness.
Slowly, in order to gain a little patience, Angelique and Hubertine walked round the edifice. Low down, it seemed as if crushed, thickset columns supported the semicircular arches of the side-aisles.
Source: Gutenberg

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