Summary

Portrait of Émile Zola Émile Zola The Ladies' Paradise: A Realistic Novel

Mouret followed her. The door closed, and he thought he could hear De Vallagnosc's grin stifled by the hangings. His courage was entirely exhausted. Since Henriette had quitted the drawing-room, and he knew Denise was alone in the house in jealous hands, he had experienced a growing anxiety, a nervous torment, which made him listen from time to time as if suddenly startled by a distant sound of weeping. What could this woman invent to torture her? And his whole love, this love which surprised him even now, went out to the young girl like a support and a consolation.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Ladies' Paradise: A Realistic Novel

Geneviève, after giving him a long look, said in her turn: “When people understand each other, the rest comes naturally.”
Their tenderness had sprung up in this gloomy house of old Paris like a flower in a cellar. For ten years she had known no one but him, living by his side, behind the same bales of cloth, amidst the darkness of the shop; morning and evening they found themselves elbow to elbow in the narrow dining-room, so damp and dull. They could not have been more concealed, more utterly lost had they been in the country, in the woods.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Ladies' Paradise: A Realistic Novel

In the street the tumult was increasing; the people pressed forward as at a theatre, with glistening eyes; some work-girls, escaped from a shop, were almost pushing through the windows eager to see what was going on. In order to avoid this feverish curiosity, and thinking, besides, that it was not right to leave the shop open, Denise decided on letting the metallic shutters down. She went and turned the winch, the wheels of which gave out a plaintive cry, the sheets of iron slowly descended, like the heavy draperies of a curtain falling on the catastrophe of a fifth act.
Source: Gutenberg

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