Summary

Edward Hungerford The Romance of a Great Store

To feel that some single achievement of industry—of manufacturing or of merchandising—is as well organized and as well balanced as the many mechanisms that are laboring in its behalf, seems to bring the most single complete picture of modern business of the sort that our press has ofttimes been pleased to term "big business".
And sometimes I like to think of these "big businesses"—with their hundreds and thousands of human units—as armies. At no time is this last comparison more apt than when one comes to apply it to the modern department-store, as we today know it in America.
Source: Gutenberg

Edward Hungerford The Romance of a Great Store

Publicity is the great right-arm of the super-store of the America of today. Publicity not in one channel, but in a thousand. Macy's not only helps to dominate the advertising pages of the newspapers of New York and a good many miles round about it, its red star not only gleams in Herald Square, but in these very recent days upon the high-set electric hoardings of Times Square that blaze forth far into the night; it finds its way into the public thought here and there and everywhere.
Source: Gutenberg

Edward Hungerford The Romance of a Great Store

A staple is not a constant thing. In one department it is what everybody wants and in another it becomes a novelty. For instance, a cotton pillow-case selling for, let us say, a dollar, is a staple; while another pillow-case, of linen this time, embroidered with an old English initial, hand hemstitched and edged with lace—we hesitate to guess at its cost—is a decided novelty, in the understanding of the store, at any rate. It also may be classed as a luxury.
Styles, fads, exclusive designs and seasons determine the work of the buyer of novelties. The job is one that requires quick decisions.
Source: Gutenberg

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