Summary

Portrait of Émile Zola Émile Zola The Fat and the Thin

Shouts and cries of all kinds rent the air; it was as though the strain, which Florent had heard gathering force in the gloom ever since four in the morning, had now attained its fullest volume. To the right and left, on all sides indeed, the sharp cries accompanying the auction sales sounded shrilly like flutes amidst the sonorous bass roar of the crowd. It was the fish, the butter, the poultry, and the meat being sold.
The pealing of bells passed through the air, imparting a quiver to the buzzing of the opening markets. Around Florent the sun was setting the vegetables aflame.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Fat and the Thin

That afternoon the beautiful Lisa found Marjolin in the midst of the poultry. It was warm, and whiffs of hot air passed along the narrow alleys of the pavilion. She was obliged to stoop before she could see him stretched out inside the stall, below the bare flesh of the birds. From the hooked bar up above hung fat geese, the hooks sticking in the bleeding wounds of their long stiffened necks, while their huge bodies bulged out, glowing ruddily beneath their fine down, and, with their snowy tails and wings, suggesting nudity encompassed by fine linen.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Fat and the Thin

At each consecutive hour of the day the changing play of the light—from the bluish haze of early morning and the black shadows of noon to the flaring of the sinking sun and the paling of its fires in the ashy grey of the twilight—revealed the markets under a new aspect; but on the flaming evenings, when the foul smells arose and forced their way across the broad yellow beams like hot puffs of steam, Florent again experienced discomfort, and his dream changed, and he imagined himself in some gigantic knacker’s boiling-house where the fat of a whole people was being melted down.
Source: Gutenberg

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