“ It is quite startling to come across Sir Henry in black gaiters, broad-brimmed hat, and long hair streaming in the wind, ploughing in the dark-brown fields, or chasing a pig, or, dressed in gorgeous holiday attire, perspiring manfully through a village gavotte. Surely none but a Breton could chase a pig without losing self-respect, or count the teeth in a cow's mouth and look dignified at the same time. No one else could dance up and down in the broiling sunshine for an hour and preserve a composed demeanour. The Breton peasant is a person quite apart from the rest of the world. ”
Dorothy Menpes
Summary
Dorothy Menpes’s Brittany is a vivid literary exploration of the region’s rural landscapes, cultural uniqueness, and the tenacious spirit of its peasantry. Through evocative depictions of villages like Pont-Aven, Vitré, and Belle Isle, Menpes captures the rhythms of daily life—market stalls, fishing communities, and the steadfast dignity of Breton farmers—while emphasizing the interplay of light, shadow, and tradition.
Her prose, rich in sensory detail, highlights the region’s unique blend of rugged beauty and quiet perseverance, portraying the Breton spirit as both grounded and remarkable. The work stands as a testament to Brittany’s enduring charm, rendered through Menpes’s precise, almost ethnographic perspective.
Quotes from Brittany (Dorothy Menpes)
“ It is a gray, dull day; not a breath stirs the air, which is heavy and ominous. Evening is drawing on as one walks down the mountain-path towards home, and a haze is settling on the village; the sun has been feebly trying to shine all day through the thick clouds that cover it. The green pines, with their purple stems, are very beautiful against the deeper purple of the mountains; pretty, too, the homesteads on the hills, with their fields of cabbages and little plantations of flowers. There is a sweet smell of gorse and pine-needles and decaying bracken, and always one hears the caw of rooks. ”
“ Everything is dark and damp and moss-grown, and very silent. An old woman, with a terra-cotta pitcher full of water poised on her head, is toiling up the steps, the shortest way to the town, which, save for the singing of the birds in 18 the old château garden, the bleating of lambs on the hillside, and the chopping of a wood-cutter, is absolutely silent. One descends into a valley shut in by rugged blue-gray mountains, for all the world like a little Alpine village, or, rather, a Breton village in an Alpine setting. ”
“ One always goes upwards in Mont St. Michel, seeing the dark purplish-pink mass of the grand old church above you, with its many spires of sculptured stone. Stone steps lead to the ramparts. Here you can lean over the balustrade and look down upon the waste of sand surrounding Mont St. Michel. All is absolutely calm and noiseless. Immediately below is the town, its clusters of new gray-slate roofs mingling with those covered in yellow lichen and green moss; also the church of the village, looking like a child's plaything perched on the mountain-side. ”
“ On the mountain-side a woman, taking advantage of the sun, is busy drying her day's washing, and a little girl is driving some fat black-and-white cows into a field; while a sparkling river runs tumbling in white foam over boulders and fallen trees at the base. But Rochefort is a typically Breton village. Nowhere in Switzerland does one see such ancient walls, such gnarled old apple-trees, laden and bowed down to the earth with their weight of golden red fruit. Nowhere in Switzerland, I am sure, do you see such fine relics of architecture. ”
“ A stained-glass window at the opposite end of the church, with the light at the back of it, forms the only patch of positive colour, with its brilliant reds and purples and blues. All else is dim and rich and gloomy, save here and there where the glint of brass, the gold of the picture-frames, the white of the altar-cloth, or the ruby of an ever-burning light, can be faintly discerned in the obscurity. The deep, full notes of the organ reach you as you stand at the cathedral steps, and you detect the faint odour of incense. ”
“ There is a moat running all round—it is inky black and dank now—on the banks of which a series of sloping slate sheds and washhouses have been built, where the women wash their clothes, kneeling on the square flat stones. How anything could emerge clean and white from such pitch-black water is a marvel. Seen from outside the 63 gates, this town is very beautiful—the black water of the moat, the huddled figures of the women, with their white caps and snowy piles of linen, and beyond that green grass and apple-trees and flowers, and at the back the old grayish-pink walls, with carved buttresses. ”
“ One longs in Vitré, above all other places, to paint, or, rather, to etch. Vitré is made for the etcher; endless and wondrous are the subjects for his needle. Here, in a markedly time-worn street, are a dozen or more pictures awaiting him—a doorway aged and blackened alternately by the action of the sun and by that of the rain, and carved in figures and symbols sculptured in stone, through which one catches glimpses of a courtyard wherein two men are shoeing a horse; then, again, there is an obscure shop, so calm and tranquil that one asks one's self if business can ever be carried on there. ”
“ BELLE ISLEAs a rule, a country becomes more interesting as one draws near to the sea; the colouring is more beautiful and the people are more picturesque. It is strange that the salt air should have such a mellowing effect upon a town and its inhabitants; but there is no doubt that it has. This seemed especially remarkable to us, coming straight from Carnac, that flat, gray, treeless country where the people are sad and stolid, and one's only interest is in the dolmens and menhirs scattered over the landscape—strange blocks of stone about which one knows little, but imagines much. ”
“ Malo is long, and, although the sun is shining and the sky is azure blue, the air is biting. Of course, everyone who comes to the Mount has heard of Mme. Poulard. She is as distinctly an institution as the very walls and fortresses. All know of her famous coffee and delicious omelettes; all have heard of her charm. It is quite an open question whether the people flock there in hundreds on a Sunday morning for the sake of Mme. Poulard's luncheon or for the attractions of Mont St. Michel itself. There she stands in the doorway of her hotel, smiling, gracious, affable, handsome. ”
“ By the sound one might fancy one's self for the moment in an African jungle rather than in a Breton village.The streets of Vitré are remarkable for their flowers. Wherever you may look you will see pots of flowers and trailing greenery, relieving with their bright fresh colouring the time-worn houses of blackened woodwork and sombre stone. Not only do moss and creepers abound, but also there are gardens everywhere, over the walls of which trail vines and clematis, and on every window-ledge are pots of geranium and convolvulus. ”
“ They are a fine people, especially the men who live by the sea, sailors and fishermen—well-made, high-strung men, their faces bronzed and stained like sculptures out of old chestnut, with eyes of clear blue, full of the sadness of the sea. They have an air of robustness and vitality; but under their fierce exterior 252 they hide a great sweetness of nature. They are kind hosts; they are frank, brave, and chaste. They have, it is true, a weakness: on fair days—market-days especially—they abuse the terrible and brutalizing vin du feu. ”
“ Behind us lay the dark gray-blue sea and the darker sky, flecked by pale pink clouds. Before us, the sun was shooting forth broad streaks of orange and vermilion on a ground of Venetian blue. Towards the horizon the colouring paled to tender pinks and lemon-yellows. As the little steamer ploughed on, Belle Isle rose into sight, a dark purple streak with tracts of lemon-gold and rosy clouds. The nearer we drew the lower sank the sun, until at last it set redly behind the island, picking out every point and promontory and every pine standing stiff against the sky. ”
“ In spite of the up-to-date railway-station, moss still grows between the pavings of the streets. The houses have still their picturesque wooden gables; the gardens are laden with fruit-trees; the hills are rich in colour. Flowers that love the damp grow luxuriantly. It is an arcadian country. The place is hostile to work. In this tranquil town, almost voluptuous in its richness of colour and balminess of atmosphere, you lose yourself in laziness. There is not a discordant note, nothing to shock the eye or grate on the senses. ”
“ As the chatelaine moves on, ever above us, with her clanking keys, one can take one's self back to the Middle Ages, and imagine the warrior's castle as it was then, when the chatelaine, young, sweet, and pretty, wending her way about the dark and gloomy castle, was the only humane and gentle spirit there. Easier still is it to lose yourself in the dim romantic past when you are shown into a room which, though no fire burns on the hearth, is still quite warm, redolent of tapestry and antiquity. ”
“ There are houses, whose upper stories, advancing into the middle of the street, 32 are kept up by granite pillars, forming an arcade underneath, and looking like hunchbacked men; there are the houses of the humble artisans and the houses of the proud noblemen; houses plain and simple in architecture; houses smothered with carvings in wood and stone of angels and saints and two-headed monsters—houses of every shape and kind imaginable. In a certain zigzag, tortuous street the buildings are one mass of angles and sloping lines, one house leaning against another,—noble ruins of the ages. ”
“ The sun has come out from the mists 20 which enveloped it, and shines in all its glory, hot and strong on your back, as it would in August. It is market day, and everyone is light-hearted and happy. The men whistle gaily on their way; the women's tongues wag briskly over their purchases; even the birds, forgetful of the coming winter, are bursting their throats with song. In the château garden the birds sing loudest of all, and the flowers bloom their best. It is a beautiful old place, the château of Rochefort. ”
“ Unlike most French châteaus, more or less showy and toy-like in design, the castle of Vitré is built on solid rock, and lifted high above the town in a noble, irresistible style, with walls of immense thickness, and lofty beyond compare. All that is grandest and most beautiful in Nature seems to group itself round about the fine old castle, as if Nature herself felt compelled to pay tribute of her best to what was noblest in the works of man. In the daytime grand and sweeping white clouds on a sky of eggshell blue group themselves about the great gray building. ”
“ It is a large shed or barn filled with hundreds of young girls and women, with bare feet and skirts tucked up to their knees, salting and sifting and drying and cooking sardines, singing together the while as with one voice some Breton folk-song in a minor key, as they busy themselves about their work.It is impossible to describe one's feelings when, after descending the steep cobbled street, one first catches sight of the sea at Douarnénez. One can only stand stock-still for a moment and draw in a deep breath of astonishment and fulfilment of hopes. ”
“ I have never seen a town so full of trees and trailing plants and gardens. Every wall is green with moss and gay with masses of convolvulus and nasturtium. Flowers grow rampant in Quimperlé, and overrun their boundaries. Every window-sill has its row of pink ivy-leafed geraniums, climbing down and over the gray stone wall beneath; every wall has its wreaths of trailing flowers.There are flights of steps everywhere—favourite caprices of the primitive architects—divided in the middle by iron railings. Up these steps all the housewives must go to reach the market. ”
“ More often she was dressed in unbecoming colours, her hair untidily arranged, her skirt trailing in the mud—a striking contrast to the well-to-do young Breton matron, with neatly braided black hair and clean rosy face, her white-winged lawn cap floating in the breeze, her red shawl neatly crossed over her lace-trimmed corsage. In her black velvet-braided skirt and wooden sabots the Breton is a dainty little figure, her only lapse into frivolity consisting of a gold chain at her neck and gold earrings. ”
“ Strange that one's sympathies are always with the weakest! In novels, an escaping convict, no matter how terrible his guilt, always has my sympathy, and I am hostile to the pursuing warder.As we drew near to Pont-Aven the scenery became more and more beautiful. On either side of the road stretched miles and miles of brilliant mustard-yellow gorse, mingled with patches of dried reddish bracken, and bordered by rows of blue-green pines. Here and there one saw great rocks half-covered with the velvet-green of mosses thrown hither and thither in happy disorder. ”
“ Hither the market-women come with their baskets, stuffed to the full with fresh green salad and apples, laying them down on the floor that they may kneel on praying-chairs, cross their arms, and raise their eyes to the high-altar, pouring out trouble or joy to God. It was delightful to see rough men with their clean market-day blue linen blouses kneeling on the stone floor, hats in hand and heads bowed, repeating their morning prayers. ”
“ The end of the room is hidden in smoky shadow, now and then lit up by a flame escaping from the fireplace, showing an old woman knitting in the ingle-nook, and an old white-haired peasant drinking cider out of a blue mug. It is strange to think of these people living in their humble homes year after year—a happy little people who have no history. ”
“ Moss has sprung up between the cobble-stones of her streets; ferns and lichen grow on the broken-down walls; Nature and men's handiwork have been allowed their own sweet way—and a very sweet way they have in Rochefort. To enter the village one must descend a flight of stone steps between two high walls, green and dark with ivy and small green ferns growing in the niches. ”
“ Every market woman as she passes shifts her basket to the other arm, that she may make the sign of the cross and murmur her prayers; every man, woman, child, stops before the cross to make obeisance, some kneeling down in the dust for a few moments before passing on their way.Who is to say that the image of that patient, suffering Saviour is not an influence for good in the village? Who is to say that the adoration, no matter how fleeting, does not soften, does not help, does not control, those humble peasant folk who bow before Him? Religion has an immense hold over the peasants of Brittany. ”
“ You emerge from the pine-forest on to a bare piece of mountain land, grayish purple, with patches of black. Then you dive into a chestnut-grove, where the leaves are green and brown and gold, and the earth is a rich brown. And so down the path into the village wrapped in a blue haze. The women in their cottages are bending busily over copper pots and pans on great open fireplaces of blazing logs. ”
“ A wonderful sight is the market on a morning such as this. The sun shines full on myriads of white-capped women thronging through the streets, and on lines of brown-faced vegetable vendors sitting close to the ground among their broad open baskets of carrots and apples and cabbages. There are stalls of all kinds—butchers' stalls, forming notes of colour with their vivid red meat; haberdashery stalls, offering everything from a toothbrush or a boot-lace to the most excruciatingly brilliant woollen socks ”
“ Most brilliant of all are the material booths, where every kind of material is sold—from calico to velvet. They congregate especially in a certain corner of the market-square, and even the houses round about are draped with lengths of material stretching from the windows down to the ground—glorious sweeps of checks and stripes and flowered patterns, and pink and blue flannelette. It is amusing to watch a Breton woman buying a length of cloth. ”
“ At any moment, in any street, you can stop and frame within your hands a picture which will be almost sure to compose well—which in colouring and drawing will be the delight of painters and etchers. In these particular streets of which I speak antiquity reigns supreme. Here no traffic ever comes; only slatternly women, with their wretched dogs and cats of all breeds, fill the streets. Many of the houses are half built out of solid slate, and the steps leading to them are hewn from the rock. ”
“ Now and then, by way of incident, we passed a group of white houses, surrounded by sad-coloured haystacks, and a few darkly-clad figures hurrying over the fields with umbrellas up, on their way to church. The Breton peasants are so pious that, no matter how far away from a town or village they may live, they attend Mass at least once on Sunday. A small procession passed us on the road—young men in their best black broadcloth suits, and girls in bright shawls and velvet-bound petticoats. ”
“ The melancholy of the place is terrible. I have seen people of the gayest-hearted natures lean over that parapet and gaze ahead for hours. This great gray plain has a strange attraction. It draws out all that is sad and serious from the very depths of you, forcing you to think deeply, moodily. Joyous thoughts are impossible. At first you imagine that the scenery is colourless; but as you stand and watch for some time, you discover that it is full of colour. ”
“ The white-faced houses are festooned and hung with fine filmy fishing-nets of a pale cornflower hue, edged with rows of deep russet-brown corks. Occasionally they are stretched from house to house across the street, and one passes beneath triumphal arches of really glorious gray-blue fishing-nets. This same little street, which barely an hour ago was practically empty and deserted, now swarms with big bronzed fishermen coming up straight from the sea, laden with their dripping cargo of round brown baskets half filled with glistening fish. ”
“ Then, again, a child can always wriggle itself into the hearts and homes of people. Setting aside all racial prejudices and difficulties of language, a child will instal itself in a household, and become familiar with the little foibles of each inmate in a single day, whereas a grown-up person may strive in vain for years. I, as a child, had a Breton bonne, and used to spend most of my days at her home, a farm some distance from the village, playing on the cottage floor with her little brothers and sisters, helping to milk the cows, and poking the fat pigs. ”
