“ At the College of Plassans, while still in the lowest form, Claude Lantier, Pierre Sandoz, and another lad named Louis Dubuche, had been three inseparables. Sprung from three different classes of society, by no means similar in character, but simply born in the same year at a few months’ interval, they had become friends at once and for aye, impelled thereto by certain secret affinities, the still vague promptings of a common ambition, the dawning consciousness of possessing greater intelligence than the set of dunces who maltreated them. ”
Claude Lantier
Definition and stakes
Quotes about “Claude Lantier”
J. G Patterson, A Zola Dictionary; the Characters of the Rougon-Macquart Novels of Emile Zola…
“ Claude Lantier, the eldest son of Auguste Lantier and Gervaise Macquart (La Fortune des Rougon and L’Assommoir) , had been educated at Plassans by an old gentleman who was interested in his childish skill in drawing. His benefactor died, leaving him a sum which yielded an annual income of a thousand francs, and he came to Paris to follow an artistic career. There he met Dubuche, Pierre Sandoz, and others of his former schoolboy friends, and the little band formed a coterie of revolutionary spirits, whose aim was to introduce new ideas and drastic changes into the accepted canons of art. ”
“ This is the Parisian art world as it really was, with nothing improbable or overstrained in the narrative, save its very first chapter, in which romanticism is certainly allowed full play. It is quite possible that some readers may not judge Claude Lantier, the ‘hero,’ very favourably; he is like the dog in the fable who forsakes the substance for the shadow ”
J. G Patterson, A Zola Dictionary; the Characters of the Rougon-Macquart Novels of Emile Zola…
“ LANTIER (JACQUES LOUIS) , born 1860, was the son of Claude Lantier and Christine Hallegrain. He was allowed to grow up wild at Bennecourt until he was two and a half years old, when his parents removed to Paris, taking him with them. Life in the city did not agree with the child, who to make matters worse was much neglected, his mother being wholly taken up with her lover, and his father with art. He grew up puny, serious like a little man; at five years his head had grown quite out of proportion to his height, but as his skull increased in size his intelligence diminished. ”
Émile Zola,
The Fat and the Thin
“ Florent scarcely recognised in him the careless night wanderer of the markets. They had already met again at the pork shop, and Claude, who knew the fugitive’s story, had grasped his hand and told him that he was a sterling fellow. It was very seldom, however, that the artist went to the Quenus’. [*] Claude Lantier’s struggle for fame is fully described in M. Zola’s novel, L’Oeuvre (“His Masterpiece”) . —Translator. “Are you still at my aunt’s?” he asked. “I can’t imagine how you manage to exist amidst all that cookery. The places reeks with the smell of meat. ”
Émile Zola,
L'Assommoir
(1877)
“ Why did she tremble? Once could not hope to come across a nicer man. She certainly had nothing to fear now. And one day the tall brunette maneuvered in such a way as to get them both into a corner, and to turn the conversation to the subject of love. Lantier, choosing his words, declared in a grave voice that his heart was dead, that for the future he wished to consecrate his life solely for his son’s happiness. Every evening he would kiss Etienne on the forehead, yet he was apt to forget him in teasing back and forth with Clemence. And he never mentioned Claude who was still in the south. ”
J. G Patterson, A Zola Dictionary; the Characters of the Rougon-Macquart Novels of Emile Zola…
“ As a study of artistic life the novel is full of interest. There is little doubt that the character of Claude Lantier was suggested by that of Edouard Manet, the founder of the French Impressionist school, with whom Zola was on terms of friendship. It is also certain that Pierre Sandoz, the journalist with an idea for a vast series of novels dealing with the life history of a family, was the prototype of Zola himself. ”
Émile Zola,
The Fat and the Thin
“ Marriage is a partnership, in which everything should be halved. Isn’t that so, Clemence?” “Clearly so,” replied the young woman, leaning back with her head against the wall and gazing into the air. However, Florent now saw Lacaille, the costermonger, and Alexandre, the porter, Claude Lantier’s friend, come into the little room. In the past these two had long remained at the other table in the sanctum; they did not belong to the same class as the others. By the help of politics, however, their chairs had drawn nearer, and they had ended by forming part of the circle. ”
“ His mother died last year and left him about seventeen hundred francs. He wished to come to Paris, and as Father Macquart was in the habit of hitting me in the face without any warning, I said I would come, too, which we did, with the two children. I meant to be a fine laundress, and he was to continue with his trade as a hatter. We might have been very happy. But, you see, Lantier is extravagant; he likes expensive things and thinks of his amusement before anything else. He is not good for much, anyhow! ”
“ He’ll get used to you. He must learn to know people. We can’t stay mad. We should have made up a long time ago for his sake. I’d rather have my head cut off than keep a father from seeing his own son.” Having thus delivered himself, he talked of finishing the bottle of brandy. All three clinked glasses again. Lantier showed no surprise, but remained perfectly calm. By way of repaying the zinc-worker’s politeness he persisted in helping him put up the shutters before taking his departure. ”
“ There was not an article beyond the furniture left in the room, except a woman's fichu that seemed to have caught on a nail near the chimney. The children's bed was pulled out into the center of the room; the bureau drawers were wide open, displaying their emptiness. Lantier had washed and had used the last of the pomade—two cents' worth on the back of a playing card—the dirty water in which he had washed still stood in the basin. He had forgotten nothing; the corner hitherto occupied by his trunk now seemed to Gervaise a vast desert. ”
Émile Zola,
L'Assommoir
(1877)
“ The policeman bowed; it did not inconvenience him at all; friends always get on together, in spite of any difference in their political ideas. And Lantier, without mixing himself up any more in the matter, like a man who has at length settled his little business, helped himself to an enormous slice of bread and cheese; he leant back in his chair and ate devoutly, his blood tingling beneath his skin, his whole body burning with a sly joy, and he blinked his eyes to peep first at Gervaise, and then at Virginie. “Hi! Old Bazouge!” called Coupeau, “come and have a drink. We’re not proud ”
“ On the following Saturday Coupeau, who had not come home to dinner, brought Lantier with him towards ten o’clock. They had had some sheep’s trotters at Chez Thomas at Montmartre. “You mustn’t scold, wife,” said the zinc-worker. “We’re sober, as you can see. Oh! there’s no fear with him; he keeps one on the straight road.” And he related how they happened to meet in the Rue Rochechouart. After dinner Lantier had declined to have a drink at the “Black Ball,” saying that when one was married to a pretty and worthy little woman, one ought not to go liquoring-up at all the wineshops. ”
Émile Zola,
L'Assommoir
(1877)
“ He always looked prosperous and it took money to look thus. He must have some deal going. One morning Coupeau had seen him having his shoes shined on the Boulevard Montmartre. Lantier was very talkative about others, but the truth was that he told lies about himself. He would not even say where he lived, only that he was staying with a friend and there was no use in coming to see him because he was never in. It was now early November. Lantier would gallantly bring bunches of violets for Gervaise and the workwomen. He was now coming almost every day. ”
“ I saw you go into the Grand-Balcon with that streetwalker Adèle. You have made a charming choice. She wears fine clothes and is clean. Yes, and she has reason to be, certainly; there is not a man in that restaurant who does not know her far better than an honest girl should be known!"Lantier leaped from the bed. His eyes were as black as night and his face deadly pale."Yes," repeated his wife, "I mean what I say. Madame Boche will not keep her or her sister in the house any longer, because there are always a crowd of men hanging on the staircase." ”
Émile Zola,
L'Assommoir
(1877)
“ When bad times arrive one thus comes in for some pleasant evenings, hours during which sworn enemies love each other. Lantier, with Gervaise on his left and Virginie on his right, was most amiable to both of them, lavishing little tender caresses like a cock who desires peace in his poultry-yard. But the queens of the feast were the two little ones, Nana and Pauline, who had been allowed to keep on their things; they sat bolt upright through fear of spilling anything on their white dresses and at every mouthful they were told to hold up their chins so as to swallow cleanly. ”
J. G Patterson, A Zola Dictionary; the Characters of the Rougon-Macquart Novels of Emile Zola…
“ Partly moved by a desire for revenge on Gervaise, she did so, and Lantier retained with the Poissons the place as a lodger he formerly occupied with the Coupeaus. Soon after, he became Virginie’s lover, and, by paying nothing for his support, while he gradually ate the contents of the shop, he accomplished the downfall of the Poissons in much the same manner as he had already ruined the Coupeaus. ”
Émile Zola,
L'Assommoir
(1877)
“ It was true that he regarded Lantier as a bit of a high flyer. He accused him of avoiding hard liquor and teased him because he could read and spoke like an educated man. Still, he accepted him as a regular comrade. They were ideally suited to each other and friendship between men is more substantial than love for a woman. Coupeau and Lantier were forever going out junketing together. Lantier would now borrow money from Gervaise—ten francs, twenty francs at a time, whenever he smelt there was money in the house. ”
“ Near her on a low chair lounged Lantier, and he was, as usual, eating candy."Really, Madame Coupeau," cried Virginie, "can't you do better than that? You have left all the dirt in the corners. Don't you see? Oblige me by doing that over again."Gervaise obeyed. She went back to the corner and scrubbed it again. She was on her hands and knees, with her sleeves rolled up over her arms. Her old skirt clung close to her stout form, and the sweat poured down her face."The more elbow grease she uses, the more she shines," said Lantier sententiously with his mouth full. ”
“ It wasn’t long until the entire neighborhood knew that Gervaise visited Lantier’s room every night. Madame Lorilleux was loudly indignant, calling her brother a poor fool whose wife had shamed him. And her poor mother, forced to live in the midst of such horrors. As a result, the neighbors blamed Gervaise. Yes, she must have led Lantier astray; you could see it in her eyes. In spite of the nasty gossip, Lantier was still liked because he was always so polite. He always had candy or flowers to give the ladies. Mon Dieu! Men shouldn’t be expected to push away women who threw themselves at them. ”
“ Your room would be a passageway to mine, and that would not be agreeable to any of us.""Nonsense," said Coupeau. "Have we no invention? There are two windows; can't one be cut down to the floor and used as a door? In that case you would enter from the court and not through the shop. You would be by yourself, and we by ourselves."There was a long silence, broken finally by Lantier."If this could be done," he said, "I should like it, but I am afraid you would find yourselves too crowded."He did not look at Gervaise as he spoke, but it was clear that he was only waiting for a word from her. ”
Émile Zola,
L'Assommoir
(1877)
“ It’s not my fault we find ourselves here. I would like to see you, with two children, in a room where there’s not even a stove to heat some water. When we arrived in Paris, instead of squandering your money, you should have made a home for us at once, as you promised.” “Listen!” Lantier exploded. “You cracked the nut with me; it doesn’t become you to sneer at it now!” Apparently not listening, Gervaise went on with her own thought. “If we work hard we can get out of the hole we’re in. ”
“ Her workwomen had been gone some time. Nana and Mamma Coupeau were in bed, and Gervaise, who was just closing her shutters when her husband appeared, brought out some glasses and the remains of a bottle of brandy. Lantier did not sit down and avoided addressing her directly.When she served him, however, he exclaimed:"A drop, madame; a mere drop!"Coupeau looked at them for a moment and then expressed his mind fully. They were no fools, he said, nor were they children. The past was the past. If people kept up their enmities for nine or ten years no one would have a soul to speak to soon. ”
Émile Zola,
L'Assommoir
(1877)
“ The Lorilleuxs, delighted at the idea that Clump-clump would no longer have a shop, approved the plan immensely. One could hardly conceive the great cost a shop was. If she only earned three francs working for others she at least had no expenses; she did not risk losing large sums of money. They repeated this argument to Coupeau, urging him on; he drank a great deal and remained in a continuous fit of sensibility, weeping all day by himself in his plate. As the laundress seemed to be allowing herself to be convinced, Lantier looked at the Poissons and winked. ”
“ When such a scamp as Lantier found a woman happy and comfortable, he was always wretched until he had made her so too. Virginie said she would go for the onions. "Women," she observed sententiously, "should protect each other, as well as serve each other, in such matters." When she returned she reported that Lantier was no longer there. The conversation around the stove that evening never once drifted from that subject. Mme Boche said that she, under similar circumstances, should tell her husband, but Gervaise was horror-struck at this and begged her never to breathe one single word about it. ”
“ What a man! Too bad he was a noble. “Listen to this now,” continued Lantier. “Here’s some society news: ‘A marriage is arranged between the eldest daughter of the Countess de Bretigny and the young Baron de Valancay, aide-de-camp to His Majesty. The wedding trousseau will contain more than three hundred thousand francs’ worth of lace.” “What’s that to us?” interrupted Bibi-the-Smoker. “We don’t want to know the color of her mantle. The girl can have no end of lace; nevertheless she’ll see the folly of loving.” ”
“ Mme Lerat went about among the neighbors to borrow a crucifix. She brought one so large that when it was laid on the breast of Mamma Coupeau the weight seemed to crush her.Then someone said something about holy water, so Nana was sent to the church with a bottle. The room assumed a new aspect. On a small table burned a candle, near it a glass of holy water in which was a branch of box."Everything is in order," murmured the sisters; "people can come now as soon as they please."Lantier made his appearance about eleven. He had been to make inquiries in regard to funeral expenses. ”
“ Fine pair of love birds! Adele isn’t worth the rope to hang her. I say that even if she is my own sister. It would take too long to relate all the nasty tricks she played on me, and anyhow, it’s between the two of us. As for Lantier—well, he’s no good either. He’d beat the hide off you for anything, and with his fist closed too. They fought all the time. The police even came once.” Virginie went on about other fights. Oh, she knew of things that would make your hair stand up. Gervaise listened in silence, her face pale. It was nearly seven years since she had heard a word about Lantier. ”
