Claude Lantier

Definition and stakes

Portrait of Émile Zola Émile Zola,  His Masterpiece

“ At the College of Plassans, while still in the lowest form, Claude Lantier, Pierre Sandoz, and another lad named Louis Dubuche, had been three inseparables. Sprung from three different classes of society, by no means similar in character, but simply born in the same year at a few months’ interval, they had become friends at once and for aye, impelled thereto by certain secret affinities, the still vague promptings of a common ambition, the dawning consciousness of possessing greater intelligence than the set of dunces who maltreated them. ”
Source: Gutenberg

J. G Patterson,  A Zola Dictionary; the Characters of the Rougon-Macquart Novels of Emile Zola…

“ Claude Lantier, the eldest son of Auguste Lantier and Gervaise Macquart (La Fortune des Rougon and L’Assommoir) , had been educated at Plassans by an old gentleman who was interested in his childish skill in drawing. His benefactor died, leaving him a sum which yielded an annual income of a thousand francs, and he came to Paris to follow an artistic career. There he met Dubuche, Pierre Sandoz, and others of his former schoolboy friends, and the little band formed a coterie of revolutionary spirits, whose aim was to introduce new ideas and drastic changes into the accepted canons of art. ”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  His Masterpiece

“ This is the Parisian art world as it really was, with nothing improbable or overstrained in the narrative, save its very first chapter, in which romanticism is certainly allowed full play.
It is quite possible that some readers may not judge Claude Lantier, the ‘hero,’ very favourably; he is like the dog in the fable who forsakes the substance for the shadow
”
Source: Gutenberg

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