Émile Zola

Émile Zola

L'Assommoir (1877)

Summary

Portrait of Émile Zola Émile Zola L'Assommoir (1877)

All one spring-time their love thus filled Goujet with the rumbling of a storm. It was an idyll amongst giant-like labor in the midst of the glare of the coal fire, and of the shaking of the shed, the cracking carcass of which was black with soot. All that beaten iron, kneaded like red wax, preserved the rough marks of their love. When on the Fridays the laundress parted from Golden-Mug, she slowly reascended the Rue des Poissonniers, contented and tired, her mind and her body alike tranquil.
Little by little, her fear of Lantier diminished; her good sense got the better of her.
Source: Gutenberg

Portrait of Émile Zola Émile Zola L'Assommoir

Pools of stagnant water stood in the courtyard, all littered with shavings and fragments of charcoal. A few pale tufts of grass struggled up between the flat stones, and the whole courtyard was lit but dimly.
In the shade near the water faucet three small hens were pecking with the vain hope of finding a worm, and Gervaise looked about her, amazed at the enormous place which seemed like a little world and as interested in the house as if it were a living creature.
"Are you looking for anyone?" asked the concierge, coming to her door considerably puzzled.
Source: Gutenberg

Portrait of Émile Zola Émile Zola L'Assommoir

The inhabitants were sunning themselves. Women with untidy hair and soiled petticoats were nursing their babies in the open air, and an occasional dirty-faced brat fell into the gutter or rolled over with shrieks of pain or joy.
Gervaise felt faint and ill; all hope was gone. It seemed to her that all was over and that Lantier would come no more. She looked from the dingy slaughterhouses, black with their dirt and loathsome odor, on to the new and staring hospital and into the rooms consecrated to disease and death.
Source: Gutenberg

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