Gervaise

Definition and stakes

Portrait of Émile Zola Émile Zola,  L'Assommoir

“ When Gervaise had bread she always remembered him. If she had learned to hate men because of her husband her heart was still tender toward animals, and Father Bru seemed like one to her. She regarded him as a faithful old dog. Her heart was heavy within her whenever she thought of him, alone, abandoned by God and man, dying by inches or drying, rather, as an orange dries on the chimney piece.
Gervaise was also troubled by the vicinity of the undertaker Bazonge—a wooden partition alone separated their rooms.
”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  L'Assommoir

“ In the recessed window shut in at the back by muslin curtains lay men's shirts, delicate handkerchiefs and cuffs; all these were on blue paper, and Gervaise was charmed. When she entered the door all was blue there; the paper represented a golden trellis and blue morning-glories. In the center was a huge table draped with blue-bordered cretonne to hide the trestles.
Gervaise seated herself and looked round, happy in the cleanliness of all about her. Her first glance, however, was directed to her stove, a sort of furnace whereon ten irons could be heated at once.
”
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas,  Ascanio

“ As they drew near the Temple of Themis, as Jacques Aubry poetically called the edifice in question, Gervaise's pace slackened perceptibly. When they reached the foot of the staircase, she had some difficulty in ascending; and finally, at the door of the lieutenant criminal's sanctum, her legs failed her altogether, and the student felt her whole weight hanging upon his arm.
"Well, Gervaise," said he, "is your courage giving out?"
"No," said Gervaise, "but a lieutenant criminal is an appalling creature."
"Pardieu! he's a man like other men!"
”
Source: Gutenberg

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