Summary

Marie D. Webster Quilts: Their Story and How to Make Them

The quilt has a tradition of long centuries of slow but certain progress. Its story is replete with incidents of love and daring, of sordid pilferings and generous sacrifices. It has figured in many a thrilling episode. The same type of handiwork that has sheltered the simple peasant from wintry blasts has adorned the great halls of doughty warriors and noble kings. Humble maids, austere nuns, grand dames, and stately queens; all have shared in the fascination of the quilter’s art and have contributed to its advancement.
Source: Gutenberg

Marie D. Webster Quilts: Their Story and How to Make Them

It has been suggested that at an exhibition is the logical place to see quilts bloom. Yet, while it is a rare chance to see quilts of all kinds and in all states of preservation, yet it is much like massing our wild Sweet Williams, Spring Beauties, and Violets in a crowded greenhouse. They bravely do their best, but you can fairly see them gasping for the fresh, free air of their woodland homes. A quilt hung on a clothes line in the dooryard and idly flapping in the wind receives twice the appreciation given one which is sedately folded across a wire with many others in a crowded, jealous row.
Source: Gutenberg

Marie D. Webster Quilts: Their Story and How to Make Them

Miss Bessie Daingerfield, a Kentuckian, who is in close touch with these mountaineers, tells us what a void the quilt fills in the lives of the lonely women of the hills: “While contemporary women out in the world are waging feminist war, those in the mountains of the long Appalachian chain still sit at their quilting frames and create beauty and work wonders with patient needles. There is much beautiful and skilful handiwork hidden away in these hills. The old women still weave coverlets, towels, and table linen from wool from their own sheep and from flax grown in their own gardens.
Source: Gutenberg

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